8 10 84 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/4d0d240914e7fc525cbf0623d05e4a68.jpg ba06299a59db7d8ae844eb60c8355d39 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/a76dfc2dd009987282158cc450530e53.jpg 3054021a1eebda87fdb7ed1cf45efa7a https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/15322a993f40eb3ff0804721b0170e6d.jpg 2829781c642bd938a084905ef246b1cf https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/30c5cc1595cee1b36b9f72d1d1181cf6.jpg 0214fd03dac0ab1d6f894cf1ae08ef4e Physical object An inanimate, three-dimensional object or substance. Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. Robert Wezel, 'Wie Frohnhausen zum Gänsereiter kam. Ästhetische Gesichtspunkte der Essener Stadtplanung am Beispiel eines Brunnens' (How Frohnhausen came to be a goose rider. Aesthetic aspects of Essen city planning using the example of a fountain'), in Essener Beiträge, Beiträge zur Geschichte von Stadt und Stift Essen, Band 115 (Essen contributions, contributions to the history of the city and monastery of Essen, vol. 115), 2003 Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Designed by the Hagen architect Ewald Wachenfeld with sculptor William Ohly in a late late Art Nouveau style. The fountain originally had a central bronze element by Ohly: a sculpture of a rider reaching for a goose. The practice of goose riding was practiced in Frohnhausen until the end of the 19th century. However, the bronze element has been missing since WW2, when the fountain was buried under rubble from the nearby Apostles Church. Located in the square behind the Apostles Church, Essen, surrounded by benches and linden trees. The cost of the Gänsereiter fountain was shared between the Essen Beautification Association and the city of Essen, which is still the owner today. The fountain was fully restored in 2008–2010, with the dolphins heads replaced as they were so severely damaged from environmental impacts. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. <a href="https://commons.wikimedia.org/wiki/File:G%C3%A4nsereiterbrunnen.JPG?uselang=de">Wikimedia, Wiki05</a> Date submitted Date object first catalogued: [day] [month] [year] 07 December 2023 Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Bonner Strasse, Frohnhausen, Essen, Germany Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0020 Title A name given to the resource Gänsereiterbrunnen, Essen (Goose rider fountain, Essen), 1913, by William F. C. Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource stone fountain (formerly with bronze element, which was destroyed in WW2) Source A related resource from which the described resource is derived <a href="https://de.wikipedia.org/wiki/G%C3%A4nsereiterbrunnen">German Wikipedia entry for Gänsereiterbrunnen</a>, Bonner Strasse, Frohnhausen, Essen, Germany Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Date A point or period of time associated with an event in the lifecycle of the resource 1913 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) Description An account of the resource Fountain with spherical stone element, surrounded by four dolphins from whose mouths water spills into an upper bowl that in turn connects with a lower bowl below. A series of small Art Nouveau masks adorn the lower bowl. Subject The topic of the resource Fountains -- Germany. fountains geese German sculpture William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/c00ed02bc933663feb593aab0789eaf7.png 33f47930a6452b447b245af571fe6e4e Physical object An inanimate, three-dimensional object or substance. Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. Julius Hülsen, ‘<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Bildhauerarbeiten der Brüder Ernest und Wilhelm Ohly</a>’, Dekorative Kunst, 1912, illustrated p. 271, discussed p. 273 Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Commissioned by architect Franz Thyriot (1869–1934) who designed the Schillerschule in Franfurt-Fechenheim in 1907–08, on which basis the work has been dated. The Schillerschule was destroyed in the air raids on Frankfurt am Main in 1944 and was rebuilt after the war. The relief is believed to have destroyed during the war. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. <a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Dekorative Kunst</a>, 1912, p. 271 Date submitted Date object first catalogued: [day] [month] [year] 07 December 2023 Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Schillerschule, Bodenseestraße, Fechenheim, Frankfurt am Main, Germany Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0021 Title A name given to the resource Heimkehrende Schnitterfamilie (Returning harvest family), Schillerschule, Fechenheim, Frankfurt am Main, c. 1907–08, by William F. C. Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource limestone relief Source A related resource from which the described resource is derived Julius Hülsen, ‘<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Bildhauerarbeiten der Brüder Ernest und Wilhelm Ohly</a>’, Dekorative Kunst, 1912, p. 271 (illustrated) Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Date A point or period of time associated with an event in the lifecycle of the resource c. 1907–08 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) agriculture family life German sculpture harvest relief schools William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/c6123d69e6ed39ac9daf329c493db761.png ac994cdb122591f33480871b7774b667 Physical object An inanimate, three-dimensional object or substance. Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. Julius Hülsen, ‘<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Bildhauerarbeiten der Brüder Ernest und Wilhelm Ohly</a>’, Dekorative Kunst, 1912, illustrated p. 272, discussed p. 273 Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. <a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Dekorative Kunst</a>, 1912, p. 272 Date submitted Date object first catalogued: [day] [month] [year] 07 December 2023 Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Frankfurt am Main, Germany Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Present whereabouts unknown. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0022 Title A name given to the resource Diana, before 1912, by William F. C. Ohly and Ernest Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource relief carving (stone?) Source A related resource from which the described resource is derived Julius Hülsen, ‘<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Bildhauerarbeiten der Brüder Ernest und Wilhelm Ohly</a>’, Dekorative Kunst, 1912, p. 272 (illustrated) Subject The topic of the resource Equestrian statues -- Germany. Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Date A point or period of time associated with an event in the lifecycle of the resource before 1912 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) and Ernest Ohly (1877–1916) Description An account of the resource Relief carving of the goddess Diana sitting side-saddle on a rearing horse. Bare-chested, she wears a sarong and a fluted cape that appears like wings behind her. She holds a bird (possibly an eagle) on one hand and rests her other hand on the horse's man. Her hunting dog runs along beside her. In the background is a stylised forest of trees, while in the foreground is falling water. Diana equestrian sculpture Ernest Ohly German sculpture William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/231db45d123eb60c9384af8cac36bff1.png 07483b945030c6a059a09e069fcfe317 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/6d626a253335b2a985c3b5d662668b6e.png 1a2c054da9bfc322e3e3f0d4794cb7d5 Physical object An inanimate, three-dimensional object or substance. Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. Julius Hülsen, ‘<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Bildhauerarbeiten der Brüder Ernest und Wilhelm Ohly</a>’, Dekorative Kunst, 1912, illustrated p. 273, discussed p. 273 Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. <a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Dekorative Kunst, 1912, p. 273</a> Date submitted Date object first catalogued: [day] [month] [year] 07 December 2023 Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Frankfurt am Main, Germany Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Present whereabouts unknown. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0023 Title A name given to the resource Preisgekröntes modell für ein kriegerdenkmal (Award-winning model for a war memorial), before 1912, by William F. C. Ohly and Ernest Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource stone sculpture Source A related resource from which the described resource is derived Julius Hülsen, ‘<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Bildhauerarbeiten der Brüder Ernest und Wilhelm Ohly</a>’, Dekorative Kunst, 1912, p. 273 (illustrated) Subject The topic of the resource Equestrian statues -- Germany. Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Date A point or period of time associated with an event in the lifecycle of the resource before 1912 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) and Ernest Ohly (1877–1916) Description An account of the resource Maquette for a memorial, presumably for the Franco-Prussian war as the date of 1871 is visible. Comprising an equestrian group with a figure of a male warrior, naked other than for an olive garland in his hair and a flowing fluted cape, sitting astride a rearing horse. Below, at the front, two children kneel, playing pipes. equestrian sculpture Ernest Ohly German sculpture war memorials William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/69d82ee3e7414f7c77f4e6036f6e8a2f.jpg 26772a7c06ed9dc32d37dcd23e2d81d9 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/618504a4287315f2360811ae945586d5.jpg 6a61533c944bf532e31aed7a0668ed8a https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/b5a0c50594de61063a2cadc7719db802.jpg fb3db0ee59ec278ff41f80f0937537d5 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/a410c71f037acd12dbc389d332941331.jpg 6e0c3f3ab9f4a8cd5193e00717b8c7f9 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/4239bef380f5b7da27e52dfa1af02735.jpg a8a298a580e13d4b4491fbbbe74fc05d https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/b1c2b4370b5858513496ee49b120671f.jpg 88bda69d0a3d850ee74fc3fc8b1523cb https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/f512c93d4add52c222cb399dc59eafb2.jpg b32e1a1ab5b684dbfb0b64074f705f5e https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/88056aa8a9c572d60b9b5887dd945e76.jpg 4eff2163657df89443f589e6b3a9e913 Physical object An inanimate, three-dimensional object or substance. Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. Gifted to Ferens Art Gallery, Kingston upon Hull, 2005 Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. <a href="https://artuk.org/discover/artworks/diana-296163">Art UK</a> Photograph (ii) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. <a href="https://artuk.org/discover/artworks/diana-296163">Art UK</a> Date submitted Date object first catalogued: [day] [month] [year] 07 December 2023 Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Munich, Germany (?) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0024 Title A name given to the resource Diana, 1930, by William F. C. Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource bronze sculpture Source A related resource from which the described resource is derived <a href="http://museumcollections.hullcc.gov.uk/collections/search-results/display.php?irn=1036&keywordsorig=&titleorig=&personorig=&placeorig=&dateorig=&materialorig=&accessionnumberorig=&collectionorig=&museumorig=&keywords=Ohly&SearchSubmit_x=0&SearchSubmit_y=0&title=&person=&place=&date=&material=&accessionnumber=&collectionall=all&museumall=all&location=any&Sender=List&Page=">Ferens Art Gallery, Kingston upon Hull, Yorkshire, UK, accession no. KINCM:2005.6344</a> Subject The topic of the resource Equestrian statues -- Germany. Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Date A point or period of time associated with an event in the lifecycle of the resource 1930 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) Description An account of the resource A solid bronze cast of a female figure with a bow in her right arm, riding a horse that is standing on a textured naturalistic base representing the ground. 58.42 cm high by 54.61 cm deep. Signed with initials and dated 1930 underneath. bronze Diana equestrian sculpture German sculpture William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/4cedd83a3187ad7fa24ae7d72e4701d1.png 9b48d3d57ee6c71d59295f483bbba600 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/a5188ef9141529990d32535f2358e926.png c62b0a96aeea2497ad6fa10973ab2838 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/d83e1734b58aec052dc8800ba3eb95f6.jpg 96cda8cab394c8cbe8e2652d4774422b Physical object An inanimate, three-dimensional object or substance. Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. Palais Dorotheum, Wien, <a href="https://www.dorotheum.com/en/l/7523005/">Jugendstil and 20th Century Arts and Crafts, 14 Feb. 2022, lot 204</a> Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. C. A. Burland, Memorial Exhibition of Painting and Sculpture by William Ohly, London: Berkeley Galleries, 21 September – 3 October 1955, illustrated on front cover Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Palais Dorotheum, Vienna Photograph (ii) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Palais Dorotheum, Vienna Date submitted Date object first catalogued: [day] [month] [year] 07 December 2023 Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Germany Exhibited Express as follows: Title of exhibition [in italics], gallery, location, date range [use en-dashes and no spaces for two dates in the same month, or an m-dash with a space either side for dates in different months], catalogue number [expressed as cat. no.]. If the details of the work, such as medium or date, are substantially different to that already stated, then give this information too. Different exhibitions are separated by semi-colons rather than line breaks. <a href="https://chronicle250.com/1935#catalogue=william+f.+c.+ohly">Royal Academy, London, 1935, catalogue no. 1717</a> Date modified Date record modified: [day] [month] [year] 3 January 2026 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0025 Title A name given to the resource St Francis, maquette for fountain; later known as Bronzefigur eines Franziskanermönches (Bronze figure of a Franciscan monk), c. 1927, by William F. C. Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource bronze sculpture Source A related resource from which the described resource is derived Palais Dorotheum, Wien, <a href="https://www.dorotheum.com/en/l/7523005/">Jugendstil and 20th Century Arts and Crafts, 14 Feb. 2022, lot 204</a> Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Relation A related resource <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/1296">130.0018, St. Franziskusbrunnen, Friedhof Ludwigshafen-Friesenheim (St Francis fountain, Ludwigshafen-Friesenheim cemetery) by William F. C. Ohly</a> <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/1160">130.8003 London, 1955, Memorial Exhibition of Painting and Sculpture by William Ohly</a> Contributor An entity responsible for making contributions to the resource Jane Eckett Date A point or period of time associated with an event in the lifecycle of the resource c. 1927 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) Description An account of the resource Bronze, brown patinated; marked W. Ohly on the side of the base; H. 29.8 cm. Maquette for a fountain statue in Ludwigshafen-Friesenheim cemetery, depicting a full-length figure of St Francis with his arms outstretched. Subject The topic of the resource Fountains -- Germany. fountains German sculpture religious art St Francis William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/1e859123dbb866a111d640d89bdd1510.png 1ece7ffa291f20571d6738c6d761a36a https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/94f2f62c87b572a9fb9ed8f0f781a0e0.JPG 07dc74bf9dfa0610c147beb654561363 Physical object An inanimate, three-dimensional object or substance. Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Frankfurt am Main, Germany Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated p. 296 Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Moderne Bauformen: Monatshefte für Architektur und Raumkunst, 1913 Photograph (ii) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. <a href="https://de.m.wikipedia.org/wiki/Datei:Frankfurt,_Hauptfriedhof,_Brunnen_im_Birkenw%C3%A4ldchen.JPG">Karsten Ratzke via Wikimedia Commons</a> Date submitted Date object first catalogued: [day] [month] [year] 08 December 2023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0026 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) and Ernst Ohly (1877–1916) Date A point or period of time associated with an event in the lifecycle of the resource before 1913 Title A name given to the resource Brunnen im Friedhof zu Frankfurt (Fountain in the cemetery in Frankfurt), before 1913, by Ernst Ohly and William F. C. Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource stone fountain Source A related resource from which the described resource is derived Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated p. 296 Description An account of the resource Stone drinking fountain comprising a vertical rectangular central shaft set within an octagonal limestone pool. Water pipes arch out from the lower section of the central shaft, with water caught in the pool below; the arched pipes have since been replaced with straight taps that protude horizontally. The middle section of the central shaft is carved on four sides with decorative reliefs of flowers. The upper section of the central shaft comprises a decorative stone urn. Subject The topic of the resource Sculpture, German -- 20th century. Fountains -- Germany. Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett cemeteraries Ernst Ohly fountains German sculpture William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/792ec4817402e5990a707ded93afac66.png e800fe6a2dd50f6b64ee2853bf5559da https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/a950e0da072dd9ac470a72ec9b2222b2.png 1b32980b61bfb9be000bd4227902f291 Physical object An inanimate, three-dimensional object or substance. Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Frankfurt am Main, Germany Exhibited Express as follows: Title of exhibition [in italics], gallery, location, date range [use en-dashes and no spaces for two dates in the same month, or an m-dash with a space either side for dates in different months], catalogue number [expressed as cat. no.]. If the details of the work, such as medium or date, are substantially different to that already stated, then give this information too. Different exhibitions are separated by semi-colons rather than line breaks. Helmholtzschule, Habsburgerallee 57-59, Frankfurt am Main, Germany Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated pp. 297, 299 Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Architect: "Stadtbaumeister Moritz, Frankfurt a.M." (State builder Moritz, Frankfurt am Main). The <a href="https://de.wikipedia.org/wiki/Helmholtzschule_(Frankfurt_am_Main)">Helmholztschule</a> was bady during the first major British-American air attack on Frankfurt, 4 October 1943, and Ohly's portal carvings believed destroyed. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Moderne Bauformen: Monatshefte für Architektur und Raumkunst, 1913 Photograph (ii) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Moderne Bauformen: Monatshefte für Architektur und Raumkunst, 1913 Date submitted Date object first catalogued: [day] [month] [year] 08 December 2023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0027 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) and Ernst Ohly (1877–1916) Date A point or period of time associated with an event in the lifecycle of the resource before 1913 Title A name given to the resource Hauptportal der Helmholtzschule zu Frankfurt (Main portal of the Helmholtz School in Frankfurt), before 1913, by Ernst Ohly and William F. C. Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource stone relief Source A related resource from which the described resource is derived Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated pp. 297, 299 Description An account of the resource Two carved figures and decorative reliefs of putti and animals for the main entrance of the Helmholtzschule gymnasium at Habsburgerallee 57-59, Frankfurt. Subject The topic of the resource Sculpture, German -- 20th century. Doorways -- Germany. Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett architectural sculpture doorways Ernst Ohly German sculpture portal William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/684665fe41f4e9db7ddc23ff084c2822.png 3e935e01a9e5f72057fdf6ae61f238d6 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/930e6bab20a735caf73b1bd0c3cd82f2.png 95e9eac07cb1c47fddc9fdbe14f0da2f Physical object An inanimate, three-dimensional object or substance. Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Frankfurt am Main, Germany Exhibited Express as follows: Title of exhibition [in italics], gallery, location, date range [use en-dashes and no spaces for two dates in the same month, or an m-dash with a space either side for dates in different months], catalogue number [expressed as cat. no.]. If the details of the work, such as medium or date, are substantially different to that already stated, then give this information too. Different exhibitions are separated by semi-colons rather than line breaks. Elberfeld Hospital, Wuppertal in North Rhine-Westphalia, Germany Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated p. 297 Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Architect: "Stadtbaurat Lehmann zu Elberfeld." (City planning officer Lehmann of Elberfeld). Elberfeld has been a municipal subdivision of Wuppertal in North Rhine-Westphalia, Germany, since 1929. The significance of the child riding a goat is not established, though legends of the so-called Bokkenrijders or <a href="https://en.wikipedia.org/wiki/Buckriders">Buckriders</a> were prevalent in parts of Germany as well as the Netherlands, Belgium. Buckriders were believed to be bandits who made a pact with the devil. Present whereabouts of the portal carvings unknown. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Moderne Bauformen: Monatshefte für Architektur und Raumkunst, 1913 Photograph (ii) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Moderne Bauformen: Monatshefte für Architektur und Raumkunst, 1913 Date submitted Date object first catalogued: [day] [month] [year] 08 December 2023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0028 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) and Ernst Ohly (1877–1916) Date A point or period of time associated with an event in the lifecycle of the resource before 1913 Title A name given to the resource Portalen de Krankenhauses zu Elberfeld (Portals of the hospital in Elberfeld), before 1913, by Ernst Ohly and William F. C. Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource stone relief Source A related resource from which the described resource is derived Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated p. 297 Description An account of the resource Two carved supraportals for a hospital in Elberfeld. One depicts a naked infant boy, or putti, holding a bird, set within a shell-like grotto surrounded by furled vegetable elements. The other depicts a young child wearing only a fluted cape, which streams behind him, as he sits astride a leaping billy goat, holding the animal by the horns. Below are some curling fronds of vegetation and a small lizard-like creature. Both supraportes are set within shallow recessed demi-lunes over external doorways flanked by carved classical columns. Subject The topic of the resource Sculpture, German -- 20th century. Doorways -- Germany. Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett architectural sculpture buckriders Ernst Ohly German sculpture goats in art hospital architecture putti William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/9b67c6d7149159079050e88567b3f225.png 7cf2026b281a1003d7bd71f49887880d https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/844ac74ed3c9df0479bc634948ce5a60.jpg 45da58429b29293a5b63d08ec35509ae https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/27dde612a91e23d15390a6b0e0ac5992.jpg 60d63aefe8c8099735ba08c3159a4f78 Physical object An inanimate, three-dimensional object or substance. Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Schillerstraße 19-25, Frankfurt am Main, Germany Exhibited Express as follows: Title of exhibition [in italics], gallery, location, date range [use en-dashes and no spaces for two dates in the same month, or an m-dash with a space either side for dates in different months], catalogue number [expressed as cat. no.]. If the details of the work, such as medium or date, are substantially different to that already stated, then give this information too. Different exhibitions are separated by semi-colons rather than line breaks. General-Anzeiger, Schillerstraße 19-25, Frankfurt am Main, Germany Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated p. 298 Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Architects: "Assmann and Bernoulli (B.D.A.), Frankfurt am Main." Adam Heinrich Assmann and Ludwig Bernoully designed several art nouveau buildigns in Frankfurt in this area, including the General-Anzeiger offices in 1912. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Moderne Bauformen: Monatshefte für Architektur und Raumkunst, 1913 Photograph (ii) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. © Arnim Schulz, 2009, via <a href="https://art.nouveau.world/adam-heinrich-assmann">The Art Nouveau World</a> webiste, 2018 Date submitted Date object first catalogued: [day] [month] [year] 08 December 2023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0029 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) and Ernst Ohly (1877–1916) Date A point or period of time associated with an event in the lifecycle of the resource 1912 Title A name given to the resource Puttengruppe am Geschäftshause des General-Anzeiger zu Frankfurt am Main (Groups of putti at the General-Anzeiger office in Frankfurt am Main), 1912, by Ernst Ohly and William F. C. Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource stone architectural sculptural groups Source A related resource from which the described resource is derived Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated p. 298 Description An account of the resource Four groups of putti, male and female, holding bouquets and garlands of flowers on either side of decorative urn or relief, mounted on the façade of the headquarters of the General-Anzeiger newspaper in Frankfurt. Subject The topic of the resource Sculpture, German -- 20th century. Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett architectural sculpture Ernst Ohly German sculpture putti William Ohly