5 10 84 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/7dffc5cc5971b15a9f0e59ca7d66953b.jpg 441491eab8702ce4c465569c26360c67 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data print Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK 166 Gympie Terrace, Noosaville, Queensland, Australia [?] Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0048 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource c. 1970-75 Title A name given to the resource Untitled (abstract lithograph), c. 1970-75, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource lithograph printed in six colours on paper, edition unknown; 24 x 34 cm Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource Not signed. Not inscribed or dated. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett abstraction lithography Max Newton https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/6952aad001dbfb78ae158ac19f082b93.jpg 52fa24c408c61e4e0825b3b62b8450d1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Australia Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0049 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource c. 1960s-70s Title A name given to the resource Portrait of a woman, c. 1960s-70s, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource oil on cardboard; 38 x 31.5 cm Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource Not signed. Not inscribed or dated. Subject The topic of the resource Portrait painting -- 20th century. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Max Newton portrait https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/ad982e0c018fe8e7f283a97b79147071.jpg bfe90982a3e6141153d115c307485c8f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Noosaville, Queensland, Australia [?] Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0050 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource 1971 Title A name given to the resource Ross Edwards, composer, 1971, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource watercolour over pen and black ink on paper; 35 x 27.5 cm Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource Signed in black ink lower right recto: ‘Max Newton’. Inscribed in black ink lower right recto: ‘Ross / Edwards / composer / 71’; inscribed in black ink verso: Ross Edwards composer / $50 / by Max Newton 71 / Medium / ink + watercolour’. Subject The topic of the resource Portrait painting -- 20th century. Composers -- Australia -- 20th century. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett composer Max Newton music portrait Ross Edwards https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/61a5137aae7875c164319b48bc57c74a.jpg 3ed05d5ed44e21be780d2f4ea1bea440 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data print Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Noosaville, Queensland, Australia [?] Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. Gift of the artist to the mother of the present owner. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Date submitted Date object first catalogued: [day] [month] [year] 10 November 2017 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0051 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource c. 1970-75 Title A name given to the resource Noosa Woods, Queensland, c. 1970-75, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource lithograph in brown ink on paper; edition unknown; 27.5 x 38.5 cm Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource Inscribed in the image lower left recto: 'Noosa Woods Q Land'. Inscribed and signed in pencil lower centre recto: 'To "Ailsa" from Max Newton'. Subject The topic of the resource Landscape painting -- 20th century -- Australia. Noosa region (Qld) -- description and travel. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett landscape painting lithography Max Newton Noosa Queensland https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/5890b0b14662bb9462924afba1da1537.jpg b1e1daecbd0475e03c5ec810f2dcd9b8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK 166 Gympie Terrace, Noosaville, Queensland, Australia Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. Gift from the artist's estate to the present owner, 1975 Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Griffiths Studios, Tewantin, Queensland, courtesy the artist’s family Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0053 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource c. 1969-75 Title A name given to the resource Title unknown (Michaeleem at the piano, Noosaville), c. 1969-75, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource oil on board; dimensions unknown Source A related resource from which the described resource is derived Private collection, Noosaville, Queensland, Australia; photograph scanned from the Max Newton memorial album, private collection, Melbourne, Australia. Description An account of the resource Signed in black upper left recto: ‘MAX NEWTON'. Subject The topic of the resource Portrait painting -- 20th century. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Max Newton music Noosa piano https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/484a579563c8c17ada0633597e6874ab.tif 9ec4cef14c95dd7109d2c092a96768d7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data drawing Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Labuan, Malaysia Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. Commissioned 1945. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Photographer unknown; scan of photograph courtesy Tony Lee and the Newton family Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0055 Title A name given to the resource LCM at Labuan, 1945 September, by Max Newton Date A point or period of time associated with an event in the lifecycle of the resource 1945 September Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource ink on paper; dimensions unknown Source A related resource from which the described resource is derived Whereabouts unknown; photograph held among the Max Newton papers, private collection, Melbourne, Victoria, Australia Subject The topic of the resource War artists -- Australia -- 20th century. Australia -- History, Military. War in art. World War, 1939-1945 -- Art and the war. World War, 1939-1945 -- Malaysia. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Labuan landing craft landing ship Malaysia Max Newton war https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/d474bc8b4db998120ff72d4515ca31ff.jpg e104a8f6d1d527b0c9cd03b0dcae329b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photograph Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Abbey Art Centre, 89 Park Road, New Barnet, Hertfordshire, England Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. Lotte Reiniger Estate. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Courtesy Stadtmuseum Tübingen, Germany Date submitted Date object first catalogued: [day] [month] [year] 9 June 2021 Date modified Date record modified: [day] [month] [year] 21 October 2021 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 131.8001 Title A name given to the resource Jean Renoir's visit to Lotte Reiniger and Carl Koch at the Abbey Art Centre, c. 1952-57 Date A point or period of time associated with an event in the lifecycle of the resource c. 1952-57 Creator An entity primarily responsible for making the resource Photographer unknown Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource gelatin silver print Source A related resource from which the described resource is derived <a href="https://www.tuebingen.de/stadtmuseum/14816.html">Lotte Reiniger Estate Collection, Stadtmuseum Tübingen, Germany</a> Description An account of the resource Group photograph at the Abbey Art Centre, New Barnet, left to right: Carl Koch, Dido Freire, unidentified seated woman (possibly Dido Freire's mother?), Jean Renoir, Lotte Reiniger, British sculptor Peter King (seated at front). Subject The topic of the resource Reiniger, Lotte, 1899-1981. Koch, Carl, 1892-1963. Renoir, Jean, 1894-1979. Freire, Dido, 1907-1990. King, Peter, 1928-1957. Artist colonies -- England. Rights Information about rights held in and over the resource This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Relation A related resource <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/899">131.8002, Lotte Reiniger greeting Dido Freire during a visit of Jean Renoir and Freire to the Abbey Art Centre, c. 1949-1957</a> <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/928">800.0027, Peter King, Carl Koch and Jean Renoir at the Abbey Art Centre, c. 1952-57</a> Contributor An entity responsible for making contributions to the resource Sheridan Palmer and Jane Eckett Abbey Art Centre animation Carl Koch Dido Freire Dido Renoir film Jean Renoir Lotte Reiniger Peter King https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/5a9e483bc7703fdf34ac8e53dbdc0672.jpg e37ee622080ad6b6f90eb34e090444ee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photograph Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Abbey Art Centre, 89 Park Road, New Barnet, Hertfordshire, England Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. Lotte Reiniger Estate Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Courtesy Stadtmuseum Tübingen, Germany Date submitted Date object first catalogued: [day] [month] [year] 9 June 2021 Date modified Date record modified: [day] [month] [year] 21 October 2021 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 131.8002 Title A name given to the resource Lotte Reiniger greeting Dido Freire during a visit of Jean Renoir and Freire to the Abbey Art Centre, c. 1952-57 Date A point or period of time associated with an event in the lifecycle of the resource c. 1952-57 Creator An entity primarily responsible for making the resource Photographer unknown Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource gelatin silver print Source A related resource from which the described resource is derived <a href="https://www.tuebingen.de/stadtmuseum/14816.html">Lotte Reiniger Estate Collection, Stadtmuseum Tübingen, Germany</a> Description An account of the resource Informal group photograph at the Abbey Art Centre. Jean Renoir stands closest to the camera, back turned, looking on as his second wife Dido Freire is greeted by Lotte Reiniger (who wears a long string of beads); the car (possibly a taxi cab) by which they have arrived can just be seen behind them. To the right are Carl Koch, also with back turned, talking with sculptor Peter King. Reinger and Koch were godparents to King's two children, Janet and Mike King. Subject The topic of the resource Reiniger, Lotte, 1899-1981. Koch, Carl, 1892-1963. Renoir, Jean, 1894-1979. Freire, Dido, 1907-1990. King, Peter, 1928-1957. Artist colonies -- England. Rights Information about rights held in and over the resource This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Relation A related resource <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/898">131.8001, Jean Renoir's visit to Lotte Reiniger and Carl Koch at the Abbey Art Centre, c. 1949-1957</a> <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/928">800.0027, Peter King, Carl Koch and Jean Renoir at the Abbey Art Centre, c. 1952-57</a> Contributor An entity responsible for making contributions to the resource Sheridan Palmer and Jane Eckett Abbey Art Centre Carl Koch Dido Freire Jean Renoir Lotte Reiniger Peter King https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/31289b9d404c7b9e7bae60d4da7fa655.jpg d19b5f410caa5c856766c5ebdf3c57b5 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photograph Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Abbey Art Centre, 89 Park Road, New Barnet, Hertfordshire, England Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. Lotte Reiniger Estate Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Primrose Productions, courtesy Stadtmuseum Tübingen, Germany Date submitted Date object first catalogued: [day] [month] [year] 9 June 2021 Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. <a href="https://collections.library.yale.edu/catalog/16917632">The Films of Lotte Reiniger produced by Primrose Productions</a>, London: Contemporary Films, n.d., reproduced p. 4 [pamphlet held Beinecke Rare Book and Manuscript Library, Yale, New Haven, CT, among the Bryher papers, General Collection, series IV subject files, box 129, 4531-4532, folder 189]. Date modified Date record modified: [day] [month] [year] 21 October 2021 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 131.8003 Title A name given to the resource Lotte Reiniger working at a table outdoors in the garden of the Abbey Art Centre, c. 1952-63 Date A point or period of time associated with an event in the lifecycle of the resource c. 1952-63 Creator An entity primarily responsible for making the resource Primrose Productions Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource gelatin silver print Source A related resource from which the described resource is derived <a href="https://www.tuebingen.de/stadtmuseum/14816.html">Lotte Reiniger Estate Collection, Stadtmuseum Tübingen, Germany</a> Description An account of the resource Shadow-puppet-maker and animator Lotte Reiniger is seen working at a table, outdoors in the garden, at the Abbey Art Centre, New Barnet. She is seen cutting out a figure in black paper. A small, hand-painted toy theatre stands on a low brick wall to her right. Papers, scissors and wire are strewn across the table before her. Reiniger wears her trademark turban, glasses, open-necked shirt and long skirt. Subject The topic of the resource Reiniger, Lotte, 1899-1981. Animators. Animated films. Shadow shows. Artist colonies -- England. Rights Information about rights held in and over the resource This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Relation A related resource <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/901">131.8004, Details of Lotte Reiniger's hands drawing in white pencil on black paper the head of a boy in feathered cap, c. 1952-63</a>. Contributor An entity responsible for making contributions to the resource Sheridan Palmer and Jane Eckett Abbey Art Centre animation animators film Lotte Reiniger shadow puppets https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/d6dd2bc84fc72879623c0f88292ee426.jpg ce5e93fe095504c84fac145cfe4967ee https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/6ede84737acb25130f55c53543682d68.jpg 4c06017ee70753b2b0d3cfdf2af8c8ec Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographs (2) Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Abbey Art Centre, 89 Park Road, New Barnet, Hertfordshire, England Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Primrose Productions, courtesy Stadtmuseum Tübingen, Germany Photograph (ii) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Courtesy Stadtmuseum Tübingen, Germany Date submitted Date object first catalogued: [day] [month] [year] 9 June 2021 Date modified Date record modified: [day] [month] [year] 21 October 2021 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 131.8004 Title A name given to the resource Details of Lotte Reiniger's hands drawing in white pencil on black paper the head of a boy in feathered cap, c. 1952-63 Date A point or period of time associated with an event in the lifecycle of the resource c. 1952-63 Creator An entity primarily responsible for making the resource Primrose Productions Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource gelatin silver prints (2) Source A related resource from which the described resource is derived <a href="https://www.tuebingen.de/stadtmuseum/14816.html">Lotte Reiniger Estate Collection, Stadtmuseum Tübingen, Germany</a> Description An account of the resource The hands of shadow-puppet-maker and animator Lotte Reiniger are seen drawing in white pencil on black paper the head of a boy in feathered cap. Reiniger works at a table, outdoors in the garden, at the Abbey Art Centre, New Barnet. Subject The topic of the resource Reiniger, Lotte, 1899-1981. Animators. Animated films. Shadow shows. Artist colonies -- England. Rights Information about rights held in and over the resource This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Relation A related resource <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/900">131.8003, Lotte Reiniger working at a table outdoors in the garden of the Abbey Art Centre, c. 1952-63</a> Contributor An entity responsible for making contributions to the resource Sheridan Palmer and Jane Eckett Abbey Art Centre animation animators film Lotte Reiniger shadow puppets