4 10 84 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/7dffc5cc5971b15a9f0e59ca7d66953b.jpg 441491eab8702ce4c465569c26360c67 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data print Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK 166 Gympie Terrace, Noosaville, Queensland, Australia [?] Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0048 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource c. 1970-75 Title A name given to the resource Untitled (abstract lithograph), c. 1970-75, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource lithograph printed in six colours on paper, edition unknown; 24 x 34 cm Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource Not signed. Not inscribed or dated. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett abstraction lithography Max Newton https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/b63efb04724e62ebde2f5e24c6a0599a.jpg c9c8edcb854a1de8b298a0fe6b70bb2a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Australia Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0046 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource c. 1960s-70s Title A name given to the resource Untitled (face before landscape), c. 1960s-70s, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource oil on cardboard; 27 x 37 cm Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource Not signed. Not inscribed or dated. Subject The topic of the resource Landscape painting -- 20th century -- Australia. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett landscape painting Max Newton https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/0e4c59e46251db2eddaa014cfbeb09e6.JPG e1a8191dbbdf53e1b941658dd0c80834 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Venice, Italy Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Courtesy the artist’s family Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0029 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource 1948 Title A name given to the resource Untitled (Grand Canal, Venice), 1948, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource watercolour over pencil; 30 x 30 cm (approx.) Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource Signed and dated in pencil lower right recto: ‘Max Newton 48’. Subject The topic of the resource Expatriate artists -- Italy -- Venice. Venice (Italy) -- in art. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Australian artists in Italy Italy Max Newton Venice https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/bbf28acee45ab8b3f1518df6c9bf021b.jpg 48b0a5e351732af97cf70181dc43dc81 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Australia Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist to the present owner Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Date submitted Date object first catalogued: [day] [month] [year] 18 January 2020 Date modified Date record modified: [day] [month] [year] 28 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0037 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource c. 1949-50 Title A name given to the resource Untitled (homestead in landscape with bridge and water in foreground), c. 1949-50, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource gouache on paper mounted on board; 28 x 34 cm Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource Signed in black ink lower right recto: ‘Max Newton’. Remains of inscription in black ink recto: ‘Painters / ...tion / 4’. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Australian landscape landscape painting Max Newton https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/b41d22ec9b3f4c40ecc05d5526d86a10.jpg 14889a6ceb4d704b4dd2670317deff84 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Australia Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0039 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource 1962 Title A name given to the resource Untitled (seascape with rocks, possibly Phillip Island), 1962, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource watercolour on paper; 28 x 38 cm Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource Signed and dated in black pen lower right, recto: ‘Max Newton 62’. Subject The topic of the resource Landscape painting -- 20th century -- Australia. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett landscape painting Max Newton Phillip Island seascape https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/7f57e61641e333cebc2a54740da563a5.jpg 13e66c2ed8dd7b52fe18bb8c5a39af83 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK 166 Gympie Terrace, Noosaville, Queensland, Australia [?] Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0047 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource c. 1970-75 Title A name given to the resource Untitled (semi-abstract group of figures against orange), c. 1970-75, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource watercolour and gouache and ink on orange paper mounted in album; 21 x 28 cm Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource Not signed. Not inscribed or dated. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett abstraction Max Newton https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/0265ffc245bf26957749fa6beb4d9b3b.JPG ff0fcfef4b0ed3cf17b516a9b6938b04 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Venice, Italy Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Courtesy the artist’s family Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0030 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource c. 1948 Title A name given to the resource Untitled (St Mark’s, Venice), c. 1948, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource watercolour over pencil; 30 x 30 cm (approx.) Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource No visible signature. Subject The topic of the resource Expatriate artists -- Italy -- Venice. Venice (Italy) -- in art. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Australian artists in Italy Italy Max Newton St Mark's Venice https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/a367c55daf74409ae720b7adb3a57c53.tif fdfeafaeaa1fef150df7a892cc7f8301 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Labuan, Malaysia, or Balikpapan, Borneo, or Morotai Island, Netherlands East Indies [?] Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. Commissioned 1945. Exhibited Express as follows: Title of exhibition [in italics], gallery, location, date range [use en-dashes and no spaces for two dates in the same month, or an m-dash with a space either side for dates in different months], catalogue number [expressed as cat. no.]. If the details of the work, such as medium or date, are substantially different to that already stated, then give this information too. Different exhibitions are separated by semi-colons rather than line breaks. (?) RAAF War Paintings Exhibition [Harold Freedman, Eric Thake, Max Newton], Canberra: Royal Australian Air Force; exhibition toured Melbourne: National Gallery of Victoria; Sydney: National Art Gallery of New South Wales; Brisbane: Queensland National Art Gallery; Adelaide: National Gallery of South Australia; Perth: Public Library, Museum and Art Gallery of Western Australia; Hobart: The Tasmanian Museum and Art Gallery,touring exhibition, 1946, catalogue no. 94 (as Grounded Aircraft, watercolour, August 1945, Kittyhawk awaiting minor repairs at No. 22 R.S.U. Labaun). Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Photographer unknown; scan of photograph courtesy Tony Lee and the Newton family Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0023 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource c. 1945 August Title A name given to the resource 51 Wing (two planes on ground with small jeep), possibly the work first exhibited as Grounded Aircraft, c. 1945 August, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource ink and wash on paper; dimensions unknown Source A related resource from which the described resource is derived Whereabouts unknown; photograph held among the Max Newton papers, private collection, Melbourne, Victoria, Australia Description An account of the resource Inscribed in white lower right, recto: '51 WING'. Subject The topic of the resource War artists -- Australia -- 20th century. Australia -- History, Military. War in art. World War, 1939-1945 -- Art and the war. World War, 1939-1945 -- Malaysia. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Balikpapan Borneo jeep Labuan Malaysia Max Newton Morotai Island Netherlands East Indies planes RAAF Royal Australian Air Force war https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/0a2dfdddad5db5dcb2eb8eed55821453.jpg e0ec00ec28ee4988e3d79f2f27d84372 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Labuan, Malaysia Exhibited Express as follows: Title of exhibition [in italics], gallery, location, date range [use en-dashes and no spaces for two dates in the same month, or an m-dash with a space either side for dates in different months], catalogue number [expressed as cat. no.]. If the details of the work, such as medium or date, are substantially different to that already stated, then give this information too. Different exhibitions are separated by semi-colons rather than line breaks. RAAF War Paintings Exhibition [Harold Freedman, Eric Thake, Max Newton], Canberra: Royal Australian Air Force; exhibition toured Melbourne: National Gallery of Victoria; Sydney: National Art Gallery of New South Wales; Brisbane: Queensland National Art Gallery; Adelaide: National Gallery of South Australia; Perth: Public Library, Museum and Art Gallery of Western Australia; Hobart: The Tasmanian Museum and Art Gallery, touring exhibition, 1946, catalogue no. 96 (as Airmen's Quarters, watercolour August 1945, Airmen of 1st T.A.F. Labaun take pride in the regular maintenance of their living quarters). Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. RAAF War Paintings Exhibition, Canberra: Royal Australian Air Force, 1946, illustrated p. 13 Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Royal Australian Air Force Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0021 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource 1945 August Title A name given to the resource Airmen's Quarters, 1945 August, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource watercolour with pencil and ink on paper; dimensions unknown Source A related resource from which the described resource is derived Whereabouts unknown; photograph scanned from RAAF War Paintings Exhibition catalogue, 1946, p. 13 Description An account of the resource Signed and dated in black pen lower right, recto: ‘Max Newton 45'. Subject The topic of the resource War artists -- Australia -- 20th century. Australia -- History, Military. War in art. World War, 1939-1945 -- Art and the war. World War, 1939-1945 -- Malaysia. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett airmen Labuan Malaysia Max Newton RAAF Royal Australian Air Force war https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/3338b52f3153771476dce58a5c829715.jpg e2905a1b89dc0094fa71f68f890a5bf6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Abbey residents Date A point or period of time associated with an event in the lifecycle of the resource 1946–1956 Type The nature or genre of the resource Person Contributor An entity responsible for making contributions to the resource Jane Eckett and Sheridan Palmer Person Abbey resident (and dates of residence if known) OR visitor to the resident OR satellite artist. Birth Date [day] [month] [year] 1925 Birthplace Vienna, Austria Occupation Be as precise as possible; follow DAAO standards if possible. eg. painter, potter, photographer (rather than simply artist) sculptor, painter, mural artist Date submitted Date object first catalogued: [day] [month] [year] 12 August 2021 Bibliography <a href="http://www.kunstschau.at/angela-varga/avbio.html">Iby-Jolande Varga, Angela Varga website</a> Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Angela Varga with a young thrush she rescued from a cat, at the Abbey Art Centre, c. 1950–53, courtesy the artist Date modified Date record modified: [day] [month] [year] 13 January 2026 Biography Born in Vienna in 1925, the daughter of Hugó Varga and ceramic sculptor and portrait artist <a href="http://www.kunstschau.at/keramik-varga/ida.html">Ida Móricz Varga (1894–1987)</a>, and niece of novelist <a href="https://en.wikipedia.org/wiki/Zsigmond_M%C3%B3ricz">Zsigmond Móricz</a>, Angela Varga's family were of Hungarian origins—part of the then recently dissolved Habsburgs Empire. She was just fourteen years old at the outbreak of WW2, when she enrolled at the Wiener Kunstgewerbeschule (Vienna School of Applied Art), studying jewellery and sculpture there under Eugen Mayer. This renowned pioneering school had strong ties with the Wiener Werkstätte; for an account of the school's ceramic studio see Emmanuel Cooper, Lucie Rie: modernist potter (Yale, 2012), 36–47. After the war she progressed to the Academy of Fine Arts in Vienna, 1945–46, studying sculpture with Prof. <a href="https://www.belvedere.at/en/wotruba-international#Biography">Fritz Wotruba</a>, life drawing with <a href="https://de.wikipedia.org/wiki/Herbert_Boeckl">Herbert Boeckl</a>, and painting with <a href="https://en.wikipedia.org/wiki/Sergius_Pauser">Sergius Pauser</a>. Following this, she went to Paris in 1947 to study painting with Jean Dupas at the École des Beaux Arts. Between periods of formal study, she worked from Wotruba's studio on Böcklinstrasse, Vienna. In early 1950 Varga travelled to England, via Switzerland, to join her sister Kate, who was then working in London as a nurse and would later marry Abbey sculptor Peter King, and friend <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/991">Helen Grünwald</a>. During this period she stayed with Grünwald at the Abbey for a few months. In March that year, the private secretary to <a href="https://en.wikipedia.org/wiki/Kenneth_Clark">Sir Kenneth Clark</a> gave Grünwald and Varga a private tour of his collection, Clark being away at the time. Grünwald afterwards invited Clark to the Abbey, specifically to view Varga’s work, describing Varga as "a very gifted young painter-sculptor" who "only narrowly escaped being transported by the Nazis during the war" and who, since the end of the war, "has firmly established herself as one of the foremost artists in her country" (Grünwald to Clark, 17 May 1950, TGA 8812/1/2/2696). Varga was due to return to Vienna in the first week of June, and Grünwald hoped Clark might write a reference for her to support her return to England to study at "one of the London Schools of Art, or possibly, the Slade" (Grunwald to Clark, 17 May 1950, TGA 8812/1/2/2696). Clark accepted Grünwald’s invitation, writing in advance to Ohly that "Miss Grunwald is very anxious for me to see the work of a girl named Angela Varga, who is a student at the Abbey" and proposing a mutually convenient date (Clark to Ohly, 18 May 1950, TGA 8812/1/2/4850). The visit eventuated in the late afternoon of 26 May 1950. Clark soon afterwards provided the much-needed reference for "Miss Weiss-Varga," commenting to Grünwald that "it must be lovely for you to find someone with a talent so akin to your own, because, although there are naturally differences in your work, the vision and sympathies are very much the same" (Clark to Grünwald, 30 May 1950, TGA 8812/1/2/2698). A week later, Varga was accepted at the Slade (Grünwald to Clark, 7 June 1949, TGA 8812/1/2/2699). Varga was back in London by mid-October 1950 to commence study at the Slade, specialising in painting and printmaking. She also studied mural painting and ceramics at the Central School of Fine Arts. During this time she lived at the Abbey Art Centre. <a href="http://www.kunstschau.at/angela-varga/skizzenb.html">Varga's London sketchbooks</a> include rapid pencil sketches drawn on the spot at Billingsgate Fish Market (also a favoured subject of Grünwald's), Smithfield Meat Market, and Covent Garden. Her Paris sketchbook of the early 1950s was unfortunately stolen, though she afterwards sketched Les Halles from memory. Varga returned to Vienna in 1953, working there independently and exhibiting with the Neuer Hagenbunde (established in 1948 by Rudolf Richly and Cary Hauser). In 1954 she founded the <a href="http://www.kunstschau.at/keramik-varga/">Keramik Varga</a> workshop, which operated until 1972. She held her first solo show in 1955, at the <a href="https://de.wikipedia.org/wiki/Galerie_n%C3%A4chst_St._Stephan">Neue Galerie Grünangergasse, </a>following which she began receiving commissions for wall designs, executed, from 1956 onwards, from her studio in Modenapark. Further exhibitions were held in 1958 at the Galerie Gurlitt in Munich, Wuppertal Museum, and London's New Art Center. In November 1965 she exhibited sculpture (bronze reliefs), jewellery and paintings at the Molton Gallery, London. The Illustrated London News reviewed it positively, describing her as "a painter and printmaker who is better known on the continent than in England" and "a master of line as her delightful small etchings, priced at only 15 guineas, show" ("Pieces for collectors," ILN, 27 November 1965, p. 53). In the same year she also exhibited at the Österreichisches Museum für Angewandte Kunst (Austrian Museum for Applied Arts, now MAK) and was was awarded both the Theodor Körner Preis and the Preis des Wiener Kunstfonds (Vienna Art Fund Prize), winning the latter again in 1966. <div class="VIpgJd-yAWNEb-hvhgNd-k77Iif"> In 1966 she exhibited at the Institut für Kulturelle Beziehungen in Budapest as part of a retrospective for her mother Ida Móricz Varga. Her work was exhibited at Galerie 1640 in concert with the Montreal Expo of 1967; Haus Irene Koch, Reken, 1968; Galerie Clasing, Münster, 1969; Nancy Pool Gallery, Toronto, 1972; Goethe Institute, Brussels, 1976; Mattersburg Kulturzentrum, 1980; Galerie am Edelhof, Großhöflein, 1993; and Caestecker Fine Arts Gallery, Wisconsin, 1999, which hosted a retrospective titled "Three women, three generations: Ida Móricz Varga, Angela Varga, and Iby-Jolande Varga". Jane Eckett 13 January 2026 </div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 140.0000 Title A name given to the resource Angela Varga (1925–) Type The nature or genre of the resource person Contributor An entity responsible for making contributions to the resource Jane Eckett