3 10 84 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/9b67c6d7149159079050e88567b3f225.png 7cf2026b281a1003d7bd71f49887880d https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/844ac74ed3c9df0479bc634948ce5a60.jpg 45da58429b29293a5b63d08ec35509ae https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/27dde612a91e23d15390a6b0e0ac5992.jpg 60d63aefe8c8099735ba08c3159a4f78 Physical object An inanimate, three-dimensional object or substance. Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Schillerstraße 19-25, Frankfurt am Main, Germany Exhibited Express as follows: Title of exhibition [in italics], gallery, location, date range [use en-dashes and no spaces for two dates in the same month, or an m-dash with a space either side for dates in different months], catalogue number [expressed as cat. no.]. If the details of the work, such as medium or date, are substantially different to that already stated, then give this information too. Different exhibitions are separated by semi-colons rather than line breaks. General-Anzeiger, Schillerstraße 19-25, Frankfurt am Main, Germany Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated p. 298 Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Architects: "Assmann and Bernoulli (B.D.A.), Frankfurt am Main." Adam Heinrich Assmann and Ludwig Bernoully designed several art nouveau buildigns in Frankfurt in this area, including the General-Anzeiger offices in 1912. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Moderne Bauformen: Monatshefte für Architektur und Raumkunst, 1913 Photograph (ii) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. © Arnim Schulz, 2009, via <a href="https://art.nouveau.world/adam-heinrich-assmann">The Art Nouveau World</a> webiste, 2018 Date submitted Date object first catalogued: [day] [month] [year] 08 December 2023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0029 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) and Ernst Ohly (1877–1916) Date A point or period of time associated with an event in the lifecycle of the resource 1912 Title A name given to the resource Puttengruppe am Geschäftshause des General-Anzeiger zu Frankfurt am Main (Groups of putti at the General-Anzeiger office in Frankfurt am Main), 1912, by Ernst Ohly and William F. C. Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource stone architectural sculptural groups Source A related resource from which the described resource is derived Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated p. 298 Description An account of the resource Four groups of putti, male and female, holding bouquets and garlands of flowers on either side of decorative urn or relief, mounted on the façade of the headquarters of the General-Anzeiger newspaper in Frankfurt. Subject The topic of the resource Sculpture, German -- 20th century. Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett architectural sculpture Ernst Ohly German sculpture putti William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/ad982e0c018fe8e7f283a97b79147071.jpg bfe90982a3e6141153d115c307485c8f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Noosaville, Queensland, Australia [?] Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0050 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource 1971 Title A name given to the resource Ross Edwards, composer, 1971, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource watercolour over pen and black ink on paper; 35 x 27.5 cm Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource Signed in black ink lower right recto: ‘Max Newton’. Inscribed in black ink lower right recto: ‘Ross / Edwards / composer / 71’; inscribed in black ink verso: Ross Edwards composer / $50 / by Max Newton 71 / Medium / ink + watercolour’. Subject The topic of the resource Portrait painting -- 20th century. Composers -- Australia -- 20th century. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett composer Max Newton music portrait Ross Edwards https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/eb85ce30c889bd636037cf446ec59111.jpg d2dca600c17db562946de42e859d5b40 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data drawing Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Australia Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0040 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource 2 January 1963 Title A name given to the resource Self Portrait, 2 January 1963, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource pencil on paper; 38 x 28 cm Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource Signed in pencil lower right: ‘M Newton’; dated in pencil lower left: ‘2.1.63’. Subject The topic of the resource Self-portraits, Australian. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Max Newton self portrait https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/4cedd83a3187ad7fa24ae7d72e4701d1.png 9b48d3d57ee6c71d59295f483bbba600 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/a5188ef9141529990d32535f2358e926.png c62b0a96aeea2497ad6fa10973ab2838 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/d83e1734b58aec052dc8800ba3eb95f6.jpg 96cda8cab394c8cbe8e2652d4774422b Physical object An inanimate, three-dimensional object or substance. Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. Palais Dorotheum, Wien, <a href="https://www.dorotheum.com/en/l/7523005/">Jugendstil and 20th Century Arts and Crafts, 14 Feb. 2022, lot 204</a> Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. C. A. Burland, Memorial Exhibition of Painting and Sculpture by William Ohly, London: Berkeley Galleries, 21 September – 3 October 1955, illustrated on front cover Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Palais Dorotheum, Vienna Photograph (ii) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Palais Dorotheum, Vienna Date submitted Date object first catalogued: [day] [month] [year] 07 December 2023 Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Germany Exhibited Express as follows: Title of exhibition [in italics], gallery, location, date range [use en-dashes and no spaces for two dates in the same month, or an m-dash with a space either side for dates in different months], catalogue number [expressed as cat. no.]. If the details of the work, such as medium or date, are substantially different to that already stated, then give this information too. Different exhibitions are separated by semi-colons rather than line breaks. <a href="https://chronicle250.com/1935#catalogue=william+f.+c.+ohly">Royal Academy, London, 1935, catalogue no. 1717</a> Date modified Date record modified: [day] [month] [year] 3 January 2026 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0025 Title A name given to the resource St Francis, maquette for fountain; later known as Bronzefigur eines Franziskanermönches (Bronze figure of a Franciscan monk), c. 1927, by William F. C. Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource bronze sculpture Source A related resource from which the described resource is derived Palais Dorotheum, Wien, <a href="https://www.dorotheum.com/en/l/7523005/">Jugendstil and 20th Century Arts and Crafts, 14 Feb. 2022, lot 204</a> Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Relation A related resource <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/1296">130.0018, St. Franziskusbrunnen, Friedhof Ludwigshafen-Friesenheim (St Francis fountain, Ludwigshafen-Friesenheim cemetery) by William F. C. Ohly</a> <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/1160">130.8003 London, 1955, Memorial Exhibition of Painting and Sculpture by William Ohly</a> Contributor An entity responsible for making contributions to the resource Jane Eckett Date A point or period of time associated with an event in the lifecycle of the resource c. 1927 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) Description An account of the resource Bronze, brown patinated; marked W. Ohly on the side of the base; H. 29.8 cm. Maquette for a fountain statue in Ludwigshafen-Friesenheim cemetery, depicting a full-length figure of St Francis with his arms outstretched. Subject The topic of the resource Fountains -- Germany. fountains German sculpture religious art St Francis William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/ac1ac295b97486d43e283fe36fae3bac.jpg 50b08243b0c6a4b3fa1410c42d9b5392 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/bab2ad3f255ea68c80a40ebac7403ebb.jpg cc4002a0fd3e541aa368806c85625139 Physical object An inanimate, three-dimensional object or substance. Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. <a href="https://de.wikipedia.org/wiki/William_Ohly#">German Wikipedia entry for William Ohly</a> Date submitted Date object first catalogued: [day] [month] [year] 07 December 2023 Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Kopernikusstraße, 67063 Ludwigshafen am Rhein, Germany Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. The maquette for the St Francis fountain was among Ohly's possessions at the Abbey Art Centre. Inge King recalled it was the only work of Ohly's she ever saw. It featured on the cover of the 1955 memorial exhibition catalogue at the Berkeley Galleries. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Joachim Specht Photograph (ii) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Joachim Specht courtesy <a href="https://upload.wikimedia.org/wikipedia/commons/5/52/Ohly_Friesenheim_Brunnen.jpg">Wikimedia Commons</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0018 Title A name given to the resource St. Franziskusbrunnen, Friedhof Ludwigshafen-Friesenheim (St Francis fountain, Ludwigshafen-Friesenheim cemetery), 1927, by William F. C. Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource bronze and stone fountain Source A related resource from which the described resource is derived <a href="https://de.wikipedia.org/wiki/Friedhofskapelle_(Ludwigshafen-Friesenheim)#cite_note-2">German Wikipedia entry for the Friedhofskapelle (Ludwigshafen-Friesenheim)</a> Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Relation A related resource <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/1297">130.0019, Relief, Hauptportal Friedhofshalle Friesenheim (Reliefs, main portal, Friesenheim cemetery hall) by William F. C. Ohly</a>; <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/1303">130.0025, St Francis (maquette for fountain), c. 1927, by William F. C. Ohly</a> Contributor An entity responsible for making contributions to the resource Jane Eckett Date A point or period of time associated with an event in the lifecycle of the resource 1927 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) Description An account of the resource Fountain comprising a full-length figure in bronze of St Francis, arms outstretched, standing on a bronze orb with birds at his feet, set within a stone bowl. Subject The topic of the resource Fountains -- Germany. fountains German sculpture religious art St Francis William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/7807dee8050e9a66b83dda13646237c1.jpg 8f020e837d5acc12ec1f4af622033095 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data drawing Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Menindee, NSW, Australia Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0035 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource c. 1949 Title A name given to the resource Sunday morning Visitor at Joe’s place / ‘Minindee’, c. 1949, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource pen and black ink on paper; 25.2 x 30.5 cm Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource Signed and inscribed in black ink lower right recto: ‘Sunday morning Visitor at Joe’s place / ‘Minindee’ / Max Newton'. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Australian rural life Max Newton Minindee New South Wales outback https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/76a010adcc3d42cc5ae4656c527c5a27.pdf bdbc800bb68b9452ae86721ab6e4d0fb Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Abbey Art Centre, 89 Park Road, New Barnet, England Text Any textual data included in the document. Use this element to transcribe exact contents of text. [p. 2] 'THE ABBEY MUSEUM The Museum represents the private collection of the late William F.C. Ohly, F.R.A.I., sculptor and art connoisseur. His aim in founding the Museum and Art Centre in 1946, was to provide a stimulating and satisfying place of study for the artists from home and overseas he intended should live and work there. The measure of success in his achieving this object may be judged by the great number of artists and students, from all over the world, who have come and gone, and benefitted from this Art Centre, and from his personal contribution as friend and patron. While being a small museum by some standards, the collection consists of a wide selection from the arts of primitive peoples, carefully chosen for its high artistic merit, rather than for its antiquity alone. This approach was characteristic of a collector who was both connoisseur and artist, and who arranged each case to form an aethetically satisfying group. In consequence, though exhibits are grouped mainly under their place of origin, pieces may be found that would otherwise be differently located. The Museum contains an important collection of primitive and oriental art, primarily including objects from Africa, Ancient America, and Oceania. There are also many exhibits from China, Egypt, and Tibet. [p. 3 ff] The great variety of objects to be found range from an African medicine-man's divining set, to a totem pole, and relics from Captain Cook's voyages in the Pacific. There is finely decorated Tibetan metalware, African basket and bead-work, and pottery figurines and vessels from the Aztec and other Pre-Columbian civilizations. Additional interest, and colour, is given by the housing of the whole collection in a 14th Century tithe-barn, which is scheduled under the Act for the preservation of Buildings of Special Architectural or Historic Interest (1947), and stands in pleasant woodland in Park Road, New Barnet, Hertfordshire (Map overleaf). [p. 4 ff] THE ART CENTRE The Abbey Museum forms part of the Abbey Art Centre, founded to provide domestic and professional accommodation for practicing artists. Since 1946, many sculptors and painters from all parts of the world have lived and worked here in residential studios. Present occupants include a distinguished creator of silhouette films, painters, sculptors, and art teachers. There is also a Pottery in the grounds, with oil burning kiln, where a potter produces modern ware for home and overseas markets'. Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Peter S. Lindsay A.T.D. was announced as the new Honorary Curator of the Abbey Art Centre, succeeding Cottie Burland, in a 1957 issue of <a href="https://books.google.com.au/books?id=XdLRAAAAMAAJ&q=Peter+S.+Lindsay+A.T.D&dq=Peter+S.+Lindsay+A.T.D&hl=en&newbks=1&newbks_redir=0&sa=X&ved=2ahUKEwi4wJey_uTzAhU44jgGHQn0CwgQ6AF6BAgDEAI">Museums Journal, vol. 56, p. 177</a>. The photographer Francis J. Forty was almost certainly <a href="https://www.londonremembers.com/subjects/francis-john-forty-obe">Francis John Forty OBE (1900–1990)</a>, City Engineer, City of London (1959 to 1963), and prominent architect of postwar reconstruction in London. Forty—like William Ohly—was originally from Hull, Yorkshire. He was also almost certainly the father-in-law of the curator Peter Lindsay. Vital records reveal a Peter A.S. Lindsay who married Frances A. Forty in Ealing in 1952 (General Register Office; United Kingdom; Volume: 5e; Page: 71). Two years earlier, in 1950, Frances A. Forty was registered as living at 9 Kent Avenue, Ealing, with her parents Francis J. Forty and Doris M. Forty. By 1958 Peter and Frances Lindsay were living at 69 Queens Gate, SW7. Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent to the present owner Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Simon Pierse Date submitted Date object first catalogued: [day] [month] [year] 25 October 2021 Date modified Date record modified: [day] [month] [year] 1 June 2022 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 800.0046 Title A name given to the resource The Abbey Art Centre and Museum, Founded by William F. C. Ohly … P.S. Lindsay, A.T.D. (Lond.), Hon. Curator, c. 1957 Date A point or period of time associated with an event in the lifecycle of the resource c. 1957 Creator An entity primarily responsible for making the resource Abbey Art Centre Museum; Peter S. Lindsay A.T.D. Type The nature or genre of the resource text Format The file format, physical medium, or dimensions of the resource pamphlet, single sheet, folded to make four pages, printed in black Publisher An entity responsible for making the resource available New Barnet, Herts., UK: Abbey Art Centre and Museum Source A related resource from which the described resource is derived Private collection, England Description An account of the resource Publicity brochure advertising the Abbey Art Centre Museum, open Saturday afternoon, 2:30-5pm, or by appointment. Illustrated on the front cover with a photograph of the tithe barn as seen from the driveway towards the Abbey Art Centre, with the wishing well in the foreground, credited to Francis J. Forty. Inside is a second photograph, also by Francis J. Forty, showing three objects from the museum's collection and identified, left to right, as: 'Pottery Tobacco Pipe (Upper Nile), Wooden Mask (Sierra Leone), [and] Chinese Vase (Tang)'. On the reverse, below further text regarding the Abbey Art Centre, is a map of how to reach the Abbey by public transport (the same map as used in <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/1091">800.0045 The Abbey Art Centre Museum ... Curator C.A. Burland, c. 1952</a>). Subject The topic of the resource Abbey Art Centre. Art Art Centre Museum, New Barnet. Lindsay, Peter S. Forty, Francis J., 1900–1990. Art, primitive. Art, primitive -- Africa. Art, Primitive -- Exhibitions. Art, Chinese. Art, Egyptian. Relation A related resource <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/1091">800.0045, The Abbey Art Centre Museum ... Curator C.A. Burland, c. 1952</a> Language A language of the resource English Contributor An entity responsible for making contributions to the resource Simon Pierse and Jane Eckett Rights Information about rights held in and over the resource This Work has been digitized in a public-private partnership. As part of this partnership, the partners have agreed to limit commercial uses of this digital representation of the Work by third parties. You can, without permission, copy, modify, distribute, display, or perform the Item, for non-commercial uses. For any other permissible uses, please review the terms and conditions of the organization that has made the Item available., display, or perform the Item, for non-commercial uses. For any other permissible uses, please review the terms and conditions of the organization that has made the Item available. Abbey Art Centre Abbey Art Museum African art artist colonies baskets beadwork Captain Cook Chinese art Cottie Burland Egyptian antiquities ethnographic art Frances Forty Francis J. Forty Oceanic art Peter S. Lindsay pottery pre-Colombian art primitive art Tibetan art https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/88c99bff46aee6040cb6723b233493a8.jpg ec002363e47eacd243f5af7a02c29b48 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Australia Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Courtesy the artist’s family Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0033 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource 1949 Title A name given to the resource Title unknown (family group in country town), 1949, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource oil on board; dimensions unknown (approx. 40 x 60 cm) Source A related resource from which the described resource is derived Private collection, UK Description An account of the resource Signed and dated in black (in image) lower right: ‘Max Newton 49’. Subject The topic of the resource Landscape painting -- 20th century -- Australia. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Australian landscape Australian rural life Max Newton https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/5890b0b14662bb9462924afba1da1537.jpg b1e1daecbd0475e03c5ec810f2dcd9b8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK 166 Gympie Terrace, Noosaville, Queensland, Australia Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. Gift from the artist's estate to the present owner, 1975 Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Griffiths Studios, Tewantin, Queensland, courtesy the artist’s family Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0053 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource c. 1969-75 Title A name given to the resource Title unknown (Michaeleem at the piano, Noosaville), c. 1969-75, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource oil on board; dimensions unknown Source A related resource from which the described resource is derived Private collection, Noosaville, Queensland, Australia; photograph scanned from the Max Newton memorial album, private collection, Melbourne, Australia. Description An account of the resource Signed in black upper left recto: ‘MAX NEWTON'. Subject The topic of the resource Portrait painting -- 20th century. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Max Newton music Noosa piano https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/f54a4a13d0d6f61bdcc4658576ea1e7f.jpg 852b1f3e9e6ea7af60b9c540a8b35312 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Metung, Gippsland, Victoria, Australia [?] Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist. Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Possibly a view of the hotel at Metung in Gippsland. Max Newton’s eldest brother Frank was, for a brief period after the war, manager of the hotel at Metung. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0036 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource c. 1949-50 Title A name given to the resource Title unknown (street scene with hotel by the sea, probably Metung, Gippsland), c. 1949-50, by Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource watercolour on watercolour board stamped verso with the supplier’s name of ‘The Artist’s Supply Depot, W. & G. Dean Ltd, Collins St, Melbourne’; 38.5 x 51.5 cm Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource No visible signature. Subject The topic of the resource Landscape painting -- 20th century -- Australia. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Australian landscape Gippsland hotels Max Newton Metung pubs