2 10 84 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/36a945db8f52e3b57f9db3d6c4af4f92.jpg f5ca2f8842f3fa4d8afa519fe7e48c6e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Gippsland, Victoria, Australia Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0032 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource c. 1948-50 Title A name given to the resource Gippsland Homestead, c. 1948-50, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource oil on Masonite board; 51 x 63 cm Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource Inscribed in white chalk verso: ‘GIPPSLAND HOMESTEAD / MAX NEWTON / 51 Foam St / ELWOOD’. Subject The topic of the resource Landscape painting -- 20th century -- Australia. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Australian landscape Australian rural life Gippsland Max Newton https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/792ec4817402e5990a707ded93afac66.png e800fe6a2dd50f6b64ee2853bf5559da https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/a950e0da072dd9ac470a72ec9b2222b2.png 1b32980b61bfb9be000bd4227902f291 Physical object An inanimate, three-dimensional object or substance. Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Frankfurt am Main, Germany Exhibited Express as follows: Title of exhibition [in italics], gallery, location, date range [use en-dashes and no spaces for two dates in the same month, or an m-dash with a space either side for dates in different months], catalogue number [expressed as cat. no.]. If the details of the work, such as medium or date, are substantially different to that already stated, then give this information too. Different exhibitions are separated by semi-colons rather than line breaks. Helmholtzschule, Habsburgerallee 57-59, Frankfurt am Main, Germany Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated pp. 297, 299 Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Architect: "Stadtbaumeister Moritz, Frankfurt a.M." (State builder Moritz, Frankfurt am Main). The <a href="https://de.wikipedia.org/wiki/Helmholtzschule_(Frankfurt_am_Main)">Helmholztschule</a> was bady during the first major British-American air attack on Frankfurt, 4 October 1943, and Ohly's portal carvings believed destroyed. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Moderne Bauformen: Monatshefte für Architektur und Raumkunst, 1913 Photograph (ii) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Moderne Bauformen: Monatshefte für Architektur und Raumkunst, 1913 Date submitted Date object first catalogued: [day] [month] [year] 08 December 2023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0027 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) and Ernst Ohly (1877–1916) Date A point or period of time associated with an event in the lifecycle of the resource before 1913 Title A name given to the resource Hauptportal der Helmholtzschule zu Frankfurt (Main portal of the Helmholtz School in Frankfurt), before 1913, by Ernst Ohly and William F. C. Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource stone relief Source A related resource from which the described resource is derived Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated pp. 297, 299 Description An account of the resource Two carved figures and decorative reliefs of putti and animals for the main entrance of the Helmholtzschule gymnasium at Habsburgerallee 57-59, Frankfurt. Subject The topic of the resource Sculpture, German -- 20th century. Doorways -- Germany. Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett architectural sculpture doorways Ernst Ohly German sculpture portal William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/8b751b411ac3601a4e169e5844b265d0.jpg aefa0ce64aaaed4051defd9f436bf63b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data print Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK 166 Gympie Terrace, Noosaville, Queensland, Australia Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0045 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource c. 1970-75 Title A name given to the resource Head of Warrior, c. 1970-75, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource monotype in black ink on paper; 52.5 x 39.5 cm Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource Signed in black ink lower right recto: ‘Max Newton’. Inscribed in black ink verso: ‘Head of Warrior / by Max Newton / 166 Gympie Terrace / Noosaville 4566 / $30 [crossed out] / $40 -’. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Max Newton monotype https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/c00ed02bc933663feb593aab0789eaf7.png 33f47930a6452b447b245af571fe6e4e Physical object An inanimate, three-dimensional object or substance. Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. Julius Hülsen, ‘<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Bildhauerarbeiten der Brüder Ernest und Wilhelm Ohly</a>’, Dekorative Kunst, 1912, illustrated p. 271, discussed p. 273 Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Commissioned by architect Franz Thyriot (1869–1934) who designed the Schillerschule in Franfurt-Fechenheim in 1907–08, on which basis the work has been dated. The Schillerschule was destroyed in the air raids on Frankfurt am Main in 1944 and was rebuilt after the war. The relief is believed to have destroyed during the war. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. <a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Dekorative Kunst</a>, 1912, p. 271 Date submitted Date object first catalogued: [day] [month] [year] 07 December 2023 Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Schillerschule, Bodenseestraße, Fechenheim, Frankfurt am Main, Germany Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0021 Title A name given to the resource Heimkehrende Schnitterfamilie (Returning harvest family), Schillerschule, Fechenheim, Frankfurt am Main, c. 1907–08, by William F. C. Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource limestone relief Source A related resource from which the described resource is derived Julius Hülsen, ‘<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Bildhauerarbeiten der Brüder Ernest und Wilhelm Ohly</a>’, Dekorative Kunst, 1912, p. 271 (illustrated) Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Date A point or period of time associated with an event in the lifecycle of the resource c. 1907–08 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) agriculture family life German sculpture harvest relief schools William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/484a579563c8c17ada0633597e6874ab.tif 9ec4cef14c95dd7109d2c092a96768d7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data drawing Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Labuan, Malaysia Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. Commissioned 1945. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Photographer unknown; scan of photograph courtesy Tony Lee and the Newton family Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0055 Title A name given to the resource LCM at Labuan, 1945 September, by Max Newton Date A point or period of time associated with an event in the lifecycle of the resource 1945 September Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource ink on paper; dimensions unknown Source A related resource from which the described resource is derived Whereabouts unknown; photograph held among the Max Newton papers, private collection, Melbourne, Victoria, Australia Subject The topic of the resource War artists -- Australia -- 20th century. Australia -- History, Military. War in art. World War, 1939-1945 -- Art and the war. World War, 1939-1945 -- Malaysia. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Labuan landing craft landing ship Malaysia Max Newton war https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/61a5137aae7875c164319b48bc57c74a.jpg 3ed05d5ed44e21be780d2f4ea1bea440 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data print Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Noosaville, Queensland, Australia [?] Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. Gift of the artist to the mother of the present owner. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Date submitted Date object first catalogued: [day] [month] [year] 10 November 2017 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0051 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource c. 1970-75 Title A name given to the resource Noosa Woods, Queensland, c. 1970-75, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource lithograph in brown ink on paper; edition unknown; 27.5 x 38.5 cm Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource Inscribed in the image lower left recto: 'Noosa Woods Q Land'. Inscribed and signed in pencil lower centre recto: 'To "Ailsa" from Max Newton'. Subject The topic of the resource Landscape painting -- 20th century -- Australia. Noosa region (Qld) -- description and travel. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett landscape painting lithography Max Newton Noosa Queensland https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/ef964e312804fc89f474cce6ccae55bc.jpg 5f8a05d39c5cf80c195e5574e86d5dfd Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK London, England; probably in the flat above the Berkeley Galleries, 20 Davies Street, London W1Y 1LH, England. Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. Presented by the Estate of Katerina Wilczynski through the good offices of Martin Kauffmann, on behalf of the descendants of Arthur and Tamara Kauffmann, 2024. Exhibited Express as follows: Title of exhibition [in italics], gallery, location, date range [use en-dashes and no spaces for two dates in the same month, or an m-dash with a space either side for dates in different months], catalogue number [expressed as cat. no.]. If the details of the work, such as medium or date, are substantially different to that already stated, then give this information too. Different exhibitions are separated by semi-colons rather than line breaks. <a href="https://benuri.org/exhibitions/87-cosmopolis-the-impact-of-refugee-art-dealers-in-london/overview/">Cosmopolis: The Impact of Refugee Art Dealers in London</a>, Ben Uri Gallery & Museum, London, 26 June to 6 September 2024. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Ben Uri Gallery, London Date submitted Date object first catalogued: [day] [month] [year] 15 December 2025 Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Wilczynski's sketch captures the exotic jumble of Ohly's flat above the Berkley Galleries at 20 Davies Street, showing what looks to be an Aboriginal carved shield and a hand-drum hung over the fireplace amid a string of onions, and an aquarium and assorted bottles on the mantle-piece, flanked by a carved Madonna and child on the left and a Tibetan goddess on the right and with an American Indian dream-catcher hanging below. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 326.0004 Title A name given to the resource Ohly's Kitchen, c. 1942–46, by Katerina Wilczynski Date A point or period of time associated with an event in the lifecycle of the resource c. 1942–46 Creator An entity primarily responsible for making the resource Katerina Wilczynski (1894–1978) Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource watercolour and ink on paper; 35.4 x 40 cm Source A related resource from which the described resource is derived <a href="https://benuri.org/artists/437-katerina-wilczynski/works/2657-katerina-wilczynski-ohly-s-kitchen-c.-1940s/">Ben Uri Gallery, London, accession no. 2024-07</a> Description An account of the resource Inscribed in pencil lower right recto: "Ohly's kitchen." Subject The topic of the resource Ohly, William, 183–1955. Wilczynski, Katerina, 1894–1978. Rights Information about rights held in and over the resource © Katerina Wilczynski Estate This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Relation A related resource <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/1010">326.0001, Homage à William Ohly: Artist’s Hope and Help, by Katerina Wilczynski, [December 1943]</a>. <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/1315">326.0003, Untitled (Ohly's kitchen), c. 1942–46, by Katerina Wilczynski</a>. Contributor An entity responsible for making contributions to the resource Jane Eckett Berkeley Galleries chimneys Goddesses kitchen mantle piece William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/684665fe41f4e9db7ddc23ff084c2822.png 3e935e01a9e5f72057fdf6ae61f238d6 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/930e6bab20a735caf73b1bd0c3cd82f2.png 95e9eac07cb1c47fddc9fdbe14f0da2f Physical object An inanimate, three-dimensional object or substance. Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Frankfurt am Main, Germany Exhibited Express as follows: Title of exhibition [in italics], gallery, location, date range [use en-dashes and no spaces for two dates in the same month, or an m-dash with a space either side for dates in different months], catalogue number [expressed as cat. no.]. If the details of the work, such as medium or date, are substantially different to that already stated, then give this information too. Different exhibitions are separated by semi-colons rather than line breaks. Elberfeld Hospital, Wuppertal in North Rhine-Westphalia, Germany Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated p. 297 Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Architect: "Stadtbaurat Lehmann zu Elberfeld." (City planning officer Lehmann of Elberfeld). Elberfeld has been a municipal subdivision of Wuppertal in North Rhine-Westphalia, Germany, since 1929. The significance of the child riding a goat is not established, though legends of the so-called Bokkenrijders or <a href="https://en.wikipedia.org/wiki/Buckriders">Buckriders</a> were prevalent in parts of Germany as well as the Netherlands, Belgium. Buckriders were believed to be bandits who made a pact with the devil. Present whereabouts of the portal carvings unknown. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Moderne Bauformen: Monatshefte für Architektur und Raumkunst, 1913 Photograph (ii) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Moderne Bauformen: Monatshefte für Architektur und Raumkunst, 1913 Date submitted Date object first catalogued: [day] [month] [year] 08 December 2023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0028 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) and Ernst Ohly (1877–1916) Date A point or period of time associated with an event in the lifecycle of the resource before 1913 Title A name given to the resource Portalen de Krankenhauses zu Elberfeld (Portals of the hospital in Elberfeld), before 1913, by Ernst Ohly and William F. C. Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource stone relief Source A related resource from which the described resource is derived Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated p. 297 Description An account of the resource Two carved supraportals for a hospital in Elberfeld. One depicts a naked infant boy, or putti, holding a bird, set within a shell-like grotto surrounded by furled vegetable elements. The other depicts a young child wearing only a fluted cape, which streams behind him, as he sits astride a leaping billy goat, holding the animal by the horns. Below are some curling fronds of vegetation and a small lizard-like creature. Both supraportes are set within shallow recessed demi-lunes over external doorways flanked by carved classical columns. Subject The topic of the resource Sculpture, German -- 20th century. Doorways -- Germany. Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett architectural sculpture buckriders Ernst Ohly German sculpture goats in art hospital architecture putti William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/6952aad001dbfb78ae158ac19f082b93.jpg 52fa24c408c61e4e0825b3b62b8450d1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Australia Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0049 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource c. 1960s-70s Title A name given to the resource Portrait of a woman, c. 1960s-70s, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource oil on cardboard; 38 x 31.5 cm Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource Not signed. Not inscribed or dated. Subject The topic of the resource Portrait painting -- 20th century. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Max Newton portrait https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/231db45d123eb60c9384af8cac36bff1.png 07483b945030c6a059a09e069fcfe317 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/6d626a253335b2a985c3b5d662668b6e.png 1a2c054da9bfc322e3e3f0d4794cb7d5 Physical object An inanimate, three-dimensional object or substance. Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. Julius Hülsen, ‘<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Bildhauerarbeiten der Brüder Ernest und Wilhelm Ohly</a>’, Dekorative Kunst, 1912, illustrated p. 273, discussed p. 273 Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. <a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Dekorative Kunst, 1912, p. 273</a> Date submitted Date object first catalogued: [day] [month] [year] 07 December 2023 Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Frankfurt am Main, Germany Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Present whereabouts unknown. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0023 Title A name given to the resource Preisgekröntes modell für ein kriegerdenkmal (Award-winning model for a war memorial), before 1912, by William F. C. Ohly and Ernest Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource stone sculpture Source A related resource from which the described resource is derived Julius Hülsen, ‘<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Bildhauerarbeiten der Brüder Ernest und Wilhelm Ohly</a>’, Dekorative Kunst, 1912, p. 273 (illustrated) Subject The topic of the resource Equestrian statues -- Germany. Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Date A point or period of time associated with an event in the lifecycle of the resource before 1912 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) and Ernest Ohly (1877–1916) Description An account of the resource Maquette for a memorial, presumably for the Franco-Prussian war as the date of 1871 is visible. Comprising an equestrian group with a figure of a male warrior, naked other than for an olive garland in his hair and a flowing fluted cape, sitting astride a rearing horse. Below, at the front, two children kneel, playing pipes. equestrian sculpture Ernest Ohly German sculpture war memorials William Ohly