2
10
84
-
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/231db45d123eb60c9384af8cac36bff1.png
07483b945030c6a059a09e069fcfe317
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/6d626a253335b2a985c3b5d662668b6e.png
1a2c054da9bfc322e3e3f0d4794cb7d5
Physical object
An inanimate, three-dimensional object or substance.
Bibliographic citation
List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general).
Different citations are separated by semi-colons rather than line breaks.
Give in order of earliest to latest citation.
Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels].
Full stop at end.
Julius Hülsen, ‘<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Bildhauerarbeiten der Brüder Ernest und Wilhelm Ohly</a>’, Dekorative Kunst, 1912, illustrated p. 273, discussed p. 273
Photograph (i)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de"><em>Dekorative Kunst</em>, 1912, p. 273</a>
Date submitted
Date object first catalogued: [day] [month] [year]
07 December 2023
Where created
Provide as much information as known in the format of:
[Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country]
e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK
Frankfurt am Main, Germany
Notes
This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include:
Details of any series that the work belongs to.
How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time?
Is it a particularly significant work and, if so, by what criteria?
Where a work is not clearly dated, how has the approximate date range been determined?
Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields.
Full stop at end.
Present whereabouts unknown.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
130.0023
Title
A name given to the resource
<em>Preisgekröntes modell für ein kriegerdenkmal</em> (Award-winning model for a war memorial), before 1912, by William F. C. Ohly and Ernest Ohly
Type
The nature or genre of the resource
physical object
Format
The file format, physical medium, or dimensions of the resource
stone sculpture
Source
A related resource from which the described resource is derived
Julius Hülsen, ‘<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Bildhauerarbeiten der Brüder Ernest und Wilhelm Ohly</a>’, Dekorative Kunst, 1912, p. 273 (illustrated)
Subject
The topic of the resource
Equestrian statues -- Germany.
Rights
Information about rights held in and over the resource
© Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Contributor
An entity responsible for making contributions to the resource
Jane Eckett
Date
A point or period of time associated with an event in the lifecycle of the resource
before 1912
Creator
An entity primarily responsible for making the resource
William F. C. Ohly (1883–1955) and Ernest Ohly (1877–1916)
Description
An account of the resource
Maquette for a memorial, presumably for the Franco-Prussian war as the date of 1871 is visible. Comprising an equestrian group with a figure of a male warrior, naked other than for an olive garland in his hair and a flowing fluted cape, sitting astride a rearing horse. Below, at the front, two children kneel, playing pipes.
equestrian sculpture
Ernest Ohly
German sculpture
war memorials
William Ohly
-
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/c6123d69e6ed39ac9daf329c493db761.png
ac994cdb122591f33480871b7774b667
Physical object
An inanimate, three-dimensional object or substance.
Bibliographic citation
List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general).
Different citations are separated by semi-colons rather than line breaks.
Give in order of earliest to latest citation.
Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels].
Full stop at end.
Julius Hülsen, ‘<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Bildhauerarbeiten der Brüder Ernest und Wilhelm Ohly</a>’, <em>Dekorative Kunst</em>, 1912, illustrated p. 272, discussed p. 273
Photograph (i)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
<em><a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Dekorative Kunst</a></em>, 1912, p. 272
Date submitted
Date object first catalogued: [day] [month] [year]
07 December 2023
Where created
Provide as much information as known in the format of:
[Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country]
e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK
Frankfurt am Main, Germany
Notes
This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include:
Details of any series that the work belongs to.
How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time?
Is it a particularly significant work and, if so, by what criteria?
Where a work is not clearly dated, how has the approximate date range been determined?
Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields.
Full stop at end.
Present whereabouts unknown.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
130.0022
Title
A name given to the resource
<em>Diana</em>, before 1912, by William F. C. Ohly and Ernest Ohly
Type
The nature or genre of the resource
physical object
Format
The file format, physical medium, or dimensions of the resource
relief carving (stone?)
Source
A related resource from which the described resource is derived
Julius Hülsen, ‘<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Bildhauerarbeiten der Brüder Ernest und Wilhelm Ohly</a>’, <em>Dekorative Kunst</em>, 1912, p. 272 (illustrated)
Subject
The topic of the resource
Equestrian statues -- Germany.
Rights
Information about rights held in and over the resource
© Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Contributor
An entity responsible for making contributions to the resource
Jane Eckett
Date
A point or period of time associated with an event in the lifecycle of the resource
before 1912
Creator
An entity primarily responsible for making the resource
William F. C. Ohly (1883–1955) and Ernest Ohly (1877–1916)
Description
An account of the resource
Relief carving of the goddess Diana sitting side-saddle on a rearing horse. Bare-chested, she wears a sarong and a fluted cape that appears like wings behind her. She holds a bird (possibly an eagle) on one hand and rests her other hand on the horse's man. Her hunting dog runs along beside her. In the background is a stylised forest of trees, while in the foreground is falling water.
Diana
equestrian sculpture
Ernest Ohly
German sculpture
William Ohly
-
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/c00ed02bc933663feb593aab0789eaf7.png
33f47930a6452b447b245af571fe6e4e
Physical object
An inanimate, three-dimensional object or substance.
Bibliographic citation
List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general).
Different citations are separated by semi-colons rather than line breaks.
Give in order of earliest to latest citation.
Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels].
Full stop at end.
Julius Hülsen, ‘<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Bildhauerarbeiten der Brüder Ernest und Wilhelm Ohly</a>’, <em>Dekorative Kunst</em>, 1912, illustrated p. 271, discussed p. 273
Notes
This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include:
Details of any series that the work belongs to.
How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time?
Is it a particularly significant work and, if so, by what criteria?
Where a work is not clearly dated, how has the approximate date range been determined?
Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields.
Full stop at end.
Commissioned by architect Franz Thyriot (1869–1934) who designed the Schillerschule in Franfurt-Fechenheim in 1907–08, on which basis the work has been dated. The Schillerschule was destroyed in the air raids on Frankfurt am Main in 1944 and was rebuilt after the war. The relief is believed to have destroyed during the war.
Photograph (i)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de"><em>Dekorative Kunst</em></a>, 1912, p. 271
Date submitted
Date object first catalogued: [day] [month] [year]
07 December 2023
Where created
Provide as much information as known in the format of:
[Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country]
e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK
Schillerschule, Bodenseestraße, Fechenheim, Frankfurt am Main, Germany
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
130.0021
Title
A name given to the resource
<em>Heimkehrende Schnitterfamilie</em> (Returning harvest family), Schillerschule, Fechenheim, Frankfurt am Main, c. 1907–08, by William F. C. Ohly
Type
The nature or genre of the resource
physical object
Format
The file format, physical medium, or dimensions of the resource
limestone relief
Source
A related resource from which the described resource is derived
Julius Hülsen, ‘<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Bildhauerarbeiten der Brüder Ernest und Wilhelm Ohly</a>’, <em>Dekorative Kunst</em>, 1912, p. 271 (illustrated)
Rights
Information about rights held in and over the resource
© Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Contributor
An entity responsible for making contributions to the resource
Jane Eckett
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1907–08
Creator
An entity primarily responsible for making the resource
William F. C. Ohly (1883–1955)
agriculture
family life
German sculpture
harvest
relief
schools
William Ohly
-
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/4d0d240914e7fc525cbf0623d05e4a68.jpg
ba06299a59db7d8ae844eb60c8355d39
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/a76dfc2dd009987282158cc450530e53.jpg
3054021a1eebda87fdb7ed1cf45efa7a
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/15322a993f40eb3ff0804721b0170e6d.jpg
2829781c642bd938a084905ef246b1cf
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/30c5cc1595cee1b36b9f72d1d1181cf6.jpg
0214fd03dac0ab1d6f894cf1ae08ef4e
Physical object
An inanimate, three-dimensional object or substance.
Bibliographic citation
List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general).
Different citations are separated by semi-colons rather than line breaks.
Give in order of earliest to latest citation.
Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels].
Full stop at end.
Robert Wezel, 'Wie Frohnhausen zum Gänsereiter kam. Ästhetische Gesichtspunkte der Essener Stadtplanung am Beispiel eines Brunnens' (How Frohnhausen came to be a goose rider. Aesthetic aspects of Essen city planning using the example of a fountain'), in <em>Essener Beiträge, Beiträge zur Geschichte von Stadt und Stift Essen</em>, Band 115 (<em>Essen contributions, contributions to the history of the city and monastery of Essen</em>, vol. 115), 2003
Notes
This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include:
Details of any series that the work belongs to.
How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time?
Is it a particularly significant work and, if so, by what criteria?
Where a work is not clearly dated, how has the approximate date range been determined?
Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields.
Full stop at end.
Designed by the Hagen architect Ewald Wachenfeld with sculptor William Ohly in a late late Art Nouveau style. The fountain originally had a central bronze element by Ohly: a sculpture of a rider reaching for a goose. The practice of goose riding was practiced in Frohnhausen until the end of the 19th century. However, the bronze element has been missing since WW2, when the fountain was buried under rubble from the nearby Apostles Church. Located in the square behind the Apostles Church, Essen, surrounded by benches and linden trees. The cost of the Gänsereiter fountain was shared between the Essen Beautification Association and the city of Essen, which is still the owner today. The fountain was fully restored in 2008–2010, with the dolphins heads replaced as they were so severely damaged from environmental impacts.
Photograph (i)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
<a href="https://commons.wikimedia.org/wiki/File:G%C3%A4nsereiterbrunnen.JPG?uselang=de">Wikimedia, Wiki05</a>
Date submitted
Date object first catalogued: [day] [month] [year]
07 December 2023
Where created
Provide as much information as known in the format of:
[Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country]
e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK
Bonner Strasse, Frohnhausen, Essen, Germany
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
130.0020
Title
A name given to the resource
<em>Gänsereiterbrunnen</em>, Essen (Goose rider fountain, Essen), 1913, by William F. C. Ohly
Type
The nature or genre of the resource
physical object
Format
The file format, physical medium, or dimensions of the resource
stone fountain (formerly with bronze element, which was destroyed in WW2)
Source
A related resource from which the described resource is derived
<a href="https://de.wikipedia.org/wiki/G%C3%A4nsereiterbrunnen">German Wikipedia entry for Gänsereiterbrunnen</a>, Bonner Strasse, Frohnhausen, Essen, Germany
Rights
Information about rights held in and over the resource
© Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Contributor
An entity responsible for making contributions to the resource
Jane Eckett
Date
A point or period of time associated with an event in the lifecycle of the resource
1913
Creator
An entity primarily responsible for making the resource
William F. C. Ohly (1883–1955)
Description
An account of the resource
Fountain with spherical stone element, surrounded by four dolphins from whose mouths water spills into an upper bowl that in turn connects with a lower bowl below. A series of small Art Nouveau masks adorn the lower bowl.
Subject
The topic of the resource
Fountains -- Germany.
fountains
geese
German sculpture
William Ohly
-
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/b74418e141bcc34cc4fae4aae2d91f6a.jpg
9e83104d81eb0c4d998b0383f0f06668
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/bdc073888a3356e771aac4652e21c690.jpg
3cefa45fe0f612e86b8d92eb9a217ce4
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/62761ccad281045c985b042124e57638.jpg
56bffdd92a06044eb07645d2629c0f8a
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/fdba1c06f22a9ef884a8720e6dbec0ad.jpg
22094f9917767ddbc536d98ee531920a
Physical object
An inanimate, three-dimensional object or substance.
Bibliographic citation
List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general).
Different citations are separated by semi-colons rather than line breaks.
Give in order of earliest to latest citation.
Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels].
Full stop at end.
<a href="https://de.wikipedia.org/wiki/William_Ohly#">German Wikipedia entry for William Ohly</a>;<br /><a href="https://www.ludwigshafen.de/lebenswert/im-gruenen/friedhoefe/friesenheim">Friedhof Friesenheim, Ludwigshafen, Stadt am Rhein</a>
Date submitted
Date object first catalogued: [day] [month] [year]
07 December 2023
Where created
Provide as much information as known in the format of:
[Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country]
e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK
Kopernikusstraße, 67063 Ludwigshafen am Rhein, Germany
Notes
This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include:
Details of any series that the work belongs to.
How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time?
Is it a particularly significant work and, if so, by what criteria?
Where a work is not clearly dated, how has the approximate date range been determined?
Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields.
Full stop at end.
Above the main portal of the cemetery chapel is a <a href="https://de.wikipedia.org/wiki/Friedhofskapelle_(Ludwigshafen-Friesenheim)#/media/Datei:Friesenheim_Friedhofskapelle_Auferstehungsrelief_Hauck.jpg">large resurrection relief by Theobald Hauck</a>.
Photograph (i)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
Joachim Specht, courtesy <a href="https://commons.wikimedia.org/wiki/File:Ohly_Friesenheim_1.jpg">Wikimedia Commons</a>
Photograph (ii)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
Joachim Specht, courtesy <a href="https://de.wikipedia.org/wiki/Friedhofskapelle_(Ludwigshafen-Friesenheim)#/media/Datei:Ohly_Friesenheim_2.jpg">Wikimedia Commons</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
130.0019
Title
A name given to the resource
Relief, Hauptportal Friedhofshalle Friesenheim (Reliefs, main portal, Friesenheim cemetery hall), c. 1926–27, by William F. C. Ohly
Type
The nature or genre of the resource
physical object
Format
The file format, physical medium, or dimensions of the resource
stone relief
Source
A related resource from which the described resource is derived
Cemetery chapel, Friedhofshalle Friesenheim
Rights
Information about rights held in and over the resource
© Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Relation
A related resource
130.0018, St. Franziskusbrunnen, Friedhof Ludwigshafen-Friesenheim (St Francis fountain, Ludwigshafen-Friesenheim cemetery) by William F. C. Ohly
Contributor
An entity responsible for making contributions to the resource
Jane Eckett
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1926–27
Creator
An entity primarily responsible for making the resource
William F. C. Ohly (1883–1955)
Description
An account of the resource
Stone relief carvings for either side of the main portal of the cemetery chapel, depicting a classically-robed man in a ploughed field, on one side sowing seed and on the other side reaping the harvest with a small scythe. Above him are symbols of a sand-timer and a P with an X (possibly referring to 'pax' or peace). At the base of each carving is a carved vase of flowers.
Subject
The topic of the resource
Doorways -- Germany.
architectural sculpture
cemeteraries
doorways
German sculpture
portal
religious art
William Ohly
-
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/ac1ac295b97486d43e283fe36fae3bac.jpg
50b08243b0c6a4b3fa1410c42d9b5392
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/bab2ad3f255ea68c80a40ebac7403ebb.jpg
cc4002a0fd3e541aa368806c85625139
Physical object
An inanimate, three-dimensional object or substance.
Bibliographic citation
List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general).
Different citations are separated by semi-colons rather than line breaks.
Give in order of earliest to latest citation.
Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels].
Full stop at end.
<a href="https://de.wikipedia.org/wiki/William_Ohly#">German Wikipedia entry for William Ohly</a>
Date submitted
Date object first catalogued: [day] [month] [year]
07 December 2023
Where created
Provide as much information as known in the format of:
[Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country]
e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK
Kopernikusstraße, 67063 Ludwigshafen am Rhein, Germany
Notes
This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include:
Details of any series that the work belongs to.
How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time?
Is it a particularly significant work and, if so, by what criteria?
Where a work is not clearly dated, how has the approximate date range been determined?
Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields.
Full stop at end.
The maquette for the St Francis fountain was among Ohly's possessions at the Abbey Art Centre. Inge King recalled it was the only work of Ohly's she ever saw. It featured on the cover of the 1955 memorial exhibition catalogue at the Berkeley Galleries.
Photograph (i)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
Joachim Specht
Photograph (ii)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
Joachim Specht courtesy <a href="https://upload.wikimedia.org/wikipedia/commons/5/52/Ohly_Friesenheim_Brunnen.jpg">Wikimedia Commons</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
130.0018
Title
A name given to the resource
<em>St. Franziskusbrunnen</em>, Friedhof Ludwigshafen-Friesenheim (St Francis fountain, Ludwigshafen-Friesenheim cemetery), 1927, by William F. C. Ohly
Type
The nature or genre of the resource
physical object
Format
The file format, physical medium, or dimensions of the resource
bronze and stone fountain
Source
A related resource from which the described resource is derived
<a href="https://de.wikipedia.org/wiki/Friedhofskapelle_(Ludwigshafen-Friesenheim)#cite_note-2">German Wikipedia entry for the Friedhofskapelle (Ludwigshafen-Friesenheim)</a>
Rights
Information about rights held in and over the resource
© Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Relation
A related resource
<a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/1297">130.0019, Relief, Hauptportal Friedhofshalle Friesenheim (Reliefs, main portal, Friesenheim cemetery hall) by William F. C. Ohly</a>; <br /><br /><a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/1303">130.0025, St Francis (maquette for fountain), c. 1927, by William F. C. Ohly</a>
Contributor
An entity responsible for making contributions to the resource
Jane Eckett
Date
A point or period of time associated with an event in the lifecycle of the resource
1927
Creator
An entity primarily responsible for making the resource
William F. C. Ohly (1883–1955)
Description
An account of the resource
Fountain comprising a full-length figure in bronze of St Francis, arms outstretched, standing on a bronze orb with birds at his feet, set within a stone bowl.
Subject
The topic of the resource
Fountains -- Germany.
fountains
German sculpture
religious art
St Francis
William Ohly
-
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/cfdc47fc2bc65c5a5b0fc9a773769dab.jpeg
5216d3a5d291bddf619dd6aae6d067cf
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/127af259c5cdcede102000c1faf568df.jpg
1080b4bc2ef98ecb1c39ebbd91f680b2
Physical object
An inanimate, three-dimensional object or substance.
Bibliographic citation
List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general).
Different citations are separated by semi-colons rather than line breaks.
Give in order of earliest to latest citation.
Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels].
Full stop at end.
<a href="https://de.wikipedia.org/wiki/Liste_der_Kulturdenkm%C3%A4ler_in_Forst_an_der_Weinstra%C3%9Fe%20(accessed%207%20Dec.%202023)">Liste der Kulturdenkmäler in Forst an der Weinstraße (List of cultural monuments in Forst an der Weinstrasse)</a>
Notes
This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include:
Details of any series that the work belongs to.
How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time?
Is it a particularly significant work and, if so, by what criteria?
Where a work is not clearly dated, how has the approximate date range been determined?
Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields.
Full stop at end.
Sculptural relief for the Hall of Honor for those who fell in the First World War, 1920s, located at the forecourt of the parish church. Architects W. Schönwetter and O. Schaltenbrand; sculptor William Ohly. Expanded after 1945.
Photograph (i)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
Joachim Specht
Photograph (ii)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
Friedrich Haag
Date submitted
Date object first catalogued: [day] [month] [year]
07 December 2023
Where created
Provide as much information as known in the format of:
[Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country]
e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK
69 Weinstraße, 67147 Forst an der Weinstrasse, Rhineland-Palatinate, Germany
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
130.0017
Title
A name given to the resource
Memorial relief for Hall of Honour for those who fell in the First World War, Forst an der Weinstrasse, 1920s, by William F. C. Ohly
Type
The nature or genre of the resource
physical object
Format
The file format, physical medium, or dimensions of the resource
stone relief
Source
A related resource from which the described resource is derived
<a href="https://de.wikipedia.org/wiki/Liste_der_Kulturdenkm%C3%A4ler_in_Forst_an_der_Weinstra%C3%9Fe%20(accessed%207%20Dec.%202023)">Liste der Kulturdenkmäler in Forst an der Weinstraße (List of cultural monuments in Forst an der Weinstrasse)</a><br /><br />Hall of Honour, 69 Weinstraße, 67147 Forst an der Weinstrasse, Rhineland-Palatinate, Germany
Subject
The topic of the resource
War memorials -- Germany.
Rights
Information about rights held in and over the resource
© Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Contributor
An entity responsible for making contributions to the resource
Jane Eckett
Date
A point or period of time associated with an event in the lifecycle of the resource
1920s
Creator
An entity primarily responsible for making the resource
William F. C. Ohly (1883–1955)
Description
An account of the resource
Large stone relief sculpture of Christ blessing two kneeling soldiers.
German sculpture
war memorials
William Ohly
-
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/23aeb9b1df41a36fa6b7be139f1e7980.jpeg
a46740b0c53cb8ab41794b904c1de854
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/febc6615d6c9544071051355449364fe.jpeg
159ec2dd5e6cf1b8359d8db314a1b716
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/55dd693e42db1baf19576af80a3e05aa.jpeg
fe34d13f2c3a47fa35f807ea120de330
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/afac7726d3613ba9e589d7cc0bd3a46d.jpeg
eb1caa55f8c36971c40036e397d0894c
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/01095a278f3bad69bb01042d7d6b5cf5.jpeg
c689e56c12d6c9402f23584746523332
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/25b9ace21c6cb063dd80c94fb9b171d6.jpg
bdc8667833df258636bd2fc7bbb8cb65
Physical object
An inanimate, three-dimensional object or substance.
Bibliographic citation
List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general).
Different citations are separated by semi-colons rather than line breaks.
Give in order of earliest to latest citation.
Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels].
Full stop at end.
Christopher Hämmelmann, 'Das Geheimnis des Denkmals [The secret of the memorial]', <em>Die Rheinpfalz, Ludwigshafen am Rhein</em>, no. 274, 25 Nov. 2023, Grünstadt local issue
Notes
This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include:
Details of any series that the work belongs to.
How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time?
Is it a particularly significant work and, if so, by what criteria?
Where a work is not clearly dated, how has the approximate date range been determined?
Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields.
Full stop at end.
St Martin's Church was badly damaged during Allied bombing on the evening of 6 December 1942. Only the outside walls survived, including Ohly's memorial relief. With thanks to Joachim Specht, Grünstadt, for photographs and details.
Date submitted
Date object first catalogued: [day] [month] [year]
07 December 2023
Where created
Provide as much information as known in the format of:
[Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country]
e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK
Martinskirche (St Martin's Church), Obergasse 3-5, 67269 Grünstadt, Germany
Photograph (i)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
Joachim Specht, Grünstadt
Photograph (ii)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
Joachim Specht, Grünstadt
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
130.0016
Title
A name given to the resource
Grünstadt war memorial: Plaque for the fallen, St. Martin's Church, 1927, by William F. C. Ohly
Type
The nature or genre of the resource
physical object
Format
The file format, physical medium, or dimensions of the resource
stone relief
Source
A related resource from which the described resource is derived
Martinskirche (St Martin's Church), Grünstadt, Rhineland-Palatinate, Germany
Subject
The topic of the resource
War memorials -- Germany.
Rights
Information about rights held in and over the resource
© Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Contributor
An entity responsible for making contributions to the resource
Jane Eckett
Date
A point or period of time associated with an event in the lifecycle of the resource
1927
Creator
An entity primarily responsible for making the resource
William F. C. Ohly (1883–1955)
Description
An account of the resource
Depicts Christ kneeling to support the limp body of a fallen German soldier in a pieta type composition. Christ notably has ringlets either side of his face, akin to Orthodox Jewish payots.
Christ
German sculpture
Jewish life
relief
religious art
war memorials
William Ohly
-
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/eae3161870f069e56eccfd1b636eb36d.jpg
1787a2667d168e0a78105b6872987604
Physical object
An inanimate, three-dimensional object or substance.
Title of artwork
Artwork title only (distinct from 'Title' which is 'artwork title, date created, by creator').
East End, London, England
Provenance
For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution.
e.g. Purchased 1947.
e.g. Allan R. Henderson Donation, 1947.
If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information:
[Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized].
Purchased by the British Museum (tbc) from an exhibition at the Miners' Welfare Institute, Ashington, Northumberland, organised by the British Institute for Adult Education on behalf of CEMA
Exhibited
Express as follows: Title of exhibition [in italics], gallery, location, date range [use en-dashes and no spaces for two dates in the same month, or an m-dash with a space either side for dates in different months], catalogue number [expressed as cat. no.].
If the details of the work, such as medium or date, are substantially different to that already stated, then give this information too.
Different exhibitions are separated by semi-colons rather than line breaks.
Miners' Welfare Institute, Ashington, Northumberland, exhibition organised by the British Institute for Adult Education on behalf of CEMA
Bibliographic citation
List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general).
Different citations are separated by semi-colons rather than line breaks.
Give in order of earliest to latest citation.
Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels].
Full stop at end.
Art exhibition: contemporary paintings at Ashington', The Morpeth Herald and Reporter, 26 February 1943, p. 2
Notes
This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include:
Details of any series that the work belongs to.
How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time?
Is it a particularly significant work and, if so, by what criteria?
Where a work is not clearly dated, how has the approximate date range been determined?
Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields.
Full stop at end.
Limehouse Causeway in London's East End was originally London's Chinatown but was largely destroyed by bombing in WWII.
Date submitted
Date object first catalogued: [day] [month] [year]
31 October 2020
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
130.0015
Title
A name given to the resource
Limehouse Causeway, c. 1942-43, by William F. C. Ohly
Type
The nature or genre of the resource
still image
Format
The file format, physical medium, or dimensions of the resource
probably colour lithograph
Source
A related resource from which the described resource is derived
British Museum, London (to be confirmed). Details from the British Newspaper Archive, Findmypast in partnership with the British Library, https://www.britishnewspaperarchive.co.uk/
Subject
The topic of the resource
East End (London, England).
Rights
Information about rights held in and over the resource
© Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Relation
A related resource
Art exhibition: contemporary paintings at Ashington', The Morpeth Herald and Reporter, 26 February 1943, p. 2, https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/543
Contributor
An entity responsible for making contributions to the resource
Jane Eckett
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Abbey residents
Date
A point or period of time associated with an event in the lifecycle of the resource
1946–1956
Type
The nature or genre of the resource
Person
Contributor
An entity responsible for making contributions to the resource
Jane Eckett and Sheridan Palmer
Person
Abbey resident (and dates of residence if known) OR visitor to the resident OR satellite artist.
Occupation
Be as precise as possible; follow DAAO standards if possible.
eg. painter, potter, photographer (rather than simply artist)
art student
Biography
Geoffrey Purser lived at the Abbey Art Centre while a student at the Sir John Cass Institute, c. 1947–49. According to fellow Cass student, Trata Maria Drescher, Purser had "been in the army and got the usual 2-year grant; there were a great many of them in that situation at the Cass (Sir John Cass Institute). The Cass was full of Poles. Geoff was unusual in that he wasn’t Polish!" (Trata Drescher, telephone interview with Jane Eckett, 23 Feb. 2021). Purser is recorded as still living at the Abbey in the <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/521">electoral register for 1949</a>. He is also seen in a <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/912">photograph of residents sketching at the Abbey, including Noel Counihan</a>, taken in the summer of 1950.
Date submitted
Date object first catalogued: [day] [month] [year]
31 March 2023
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
148.0000
Title
A name given to the resource
Geoffrey Purser (fl. 1940s-1950s)
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1947–50
Type
The nature or genre of the resource
person
Contributor
An entity responsible for making contributions to the resource
Jane Eckett
Relation
A related resource
<a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/912">attributed to Picture Post, “Noel Counihan drawing Geoffrey Purser in the Abbey garden. At left Pat Counihan prepares vegetables next to Elizabeth (Betsy) Smith and Mick and Terry Counihan, summer 1950,” The Abbey Art Centre Digital Repository</a>