2
10
84
-
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/8439141d197f2a2d39e49424a20e63e0.pdf
aff2f177b54344982942b0e42031057a
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Where created
Provide as much information as known in the format of:
[Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country]
e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK
Berkeley Galleries, 20 Davies Street, Mayfair, London W.1, UK
Physical Dimensions
The actual physical size of the original image in cm
Dimensions unknown
Collection
Don't use this element. Give collection details in source instead.
Private collection, UK
Photograph (i)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
Sheridan Palmer
Date submitted
Date object first catalogued: [day] [month] [year]
9 August 2020
Date modified
Date record modified: [day] [month] [year]
9 August 2020
Text
Any textual data included in the document. Use this element to transcribe exact contents of text.
'Australian art at the Berkeley Galleries: Mr E. McCarthy, Acting Deputy High Commissioner for Australia, opened the exhibition at the Berkeley Galleries in Davies Street. He is seen going around the exhibition with Australian artist James Cant (right)'.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
102.8006
Title
A name given to the resource
'Australian art at the Berkeley Galleries: Mr E. McCarthy with Australian artist James Cant (right)', <em>The Sphere</em>, London, 18 March 1950
Date
A point or period of time associated with an event in the lifecycle of the resource
18 March 1950
Creator
An entity primarily responsible for making the resource
<em>The Sphere</em>, London
Format
The file format, physical medium, or dimensions of the resource
newspaper clipping
Publisher
An entity responsible for making the resource available
Illustrated Newspapers London
Source
A related resource from which the described resource is derived
Berkeley Galleries scrapbook, private collection, UK
Description
An account of the resource
Illustrated Newspapers press clipping of a photograph taken at the exhibition opening of <em>Australian Aboriginal Art: Paintings by James Cant after the original cave paintings recently discovered by Charles Mountford in the Arnhem Land Plateau</em>, at the Berkeley Galleries, London, which opened 7 March 1950.
Language
A language of the resource
English
Contributor
An entity responsible for making contributions to the resource
Sheridan Palmer
Type
The nature or genre of the resource
text
Subject
The topic of the resource
Cant, James, 1911–1982 -- Exhibitions.
Rights
Information about rights held in and over the resource
© Illustrated London News Ltd / Mary Evans Picture Library.
This Work has been digitized in a public-private partnership. As part of this partnership, the partners have agreed to limit commercial uses of this digital representation of the Work by third parties. You can, without permission, copy, modify, distribute, display, or perform the Item, for non-commercial uses. For any other permissible uses, please review the terms and conditions of the organization that has made the Item available., display, or perform the Item, for non-commercial uses. For any other permissible uses, please review the terms and conditions of the organization that has made the Item available.
Aboriginal Art
Berkeley Galleries
indigenous art
James Cant
-
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/021268e3a822c87baca0a789b0426e92.pdf
253306c72927e9266bc2d4865e2ba95c
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Where created
Provide as much information as known in the format of:
[Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country]
e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK
London, England
Text
Any textual data included in the document. Use this element to transcribe exact contents of text.
'Nearly two years ago William Ohly, an art connoisseur and the owner of a gallery, bought the Abbey at New Barnet, founding there an artist's colony where youthful painters and sculptors--mostly Australians--now work, eat, sleep and paint. Some of the work being achieved at the Abbey is of a high standard, and Derek King, of Sydney, is one of its most promising artists. He has just left for Porquenelles, off the south coast of France, where he will spend a year engaged in painting[.]'. Photograph captions: 'Artists from Australia have made this a home away from home: The Abbey, New Barnet, has been converted from a religious institution into an artist's colony and now has a fine array of studios'. 'Derek King in his studio: An artist from New South Wales putting the finishing touches to one of his pictures'.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
newspaper article
Collection
Don't use this element. Give collection details in source instead.
British Newspaper Archive, Findmypast in partnership with the British Library <br /><a href="https://www.britishnewspaperarchive.co.uk/">https://www.britishnewspaperarchive.co.uk/</a>
Photograph (i)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
<em>The Sphere</em> (London, England)
Date submitted
Date object first catalogued: [day] [month] [year]
18 August 2020
Notes
This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include:
Details of any series that the work belongs to.
How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time?
Is it a particularly significant work and, if so, by what criteria?
Where a work is not clearly dated, how has the approximate date range been determined?
Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields.
Full stop at end.
Little has been hitherto recorded of the Australian artist Derek King who is featured in this article. For a biography see <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/1066#?c=0&m=0&s=0&cv=0">147.0000, Derek Vernon Morris King (1924–)</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
800.0015
Title
A name given to the resource
'History in stone: houses, ancient and modern in the news. ... An Abbey Art Colony', <em>The Sphere</em>, London, 18 September 1948, p. 375
Date
A point or period of time associated with an event in the lifecycle of the resource
1948 September 18
Creator
An entity primarily responsible for making the resource
<em>The Sphere</em> (London, England)
Format
The file format, physical medium, or dimensions of the resource
newspaper article
Publisher
An entity responsible for making the resource available
London: Illustrated Newspapers
Description
An account of the resource
Illustrated feature article on the Abbey Art Centre. One photograph depicts the front of the main house, seen from a garden along a row of raised borders and through an archway covering in flowering vines. The second photograph depicts an artist from Sydney, Derek King, painting in his studio on the top floor of the main house.
Subject
The topic of the resource
Artist colonies -- England.
Artists, Australian -- England -- London.
Artists -- Australia -- New South Wales -- Biography.
King, Derek, 1924-.
Language
A language of the resource
English
Contributor
An entity responsible for making contributions to the resource
Jane Eckett
Relation
A related resource
<a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/516">Inge King and an unidentified man, probably Derek Vernon King, in her studio at the Abbey Art Centre, 1948</a><br /><br />
<div class="element-text"><a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/536">Robert Klippel and friends with a carving from William Ohly's collection at the Abbey Art Centre in London, 1947</a></div>
<a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/536"></a>
Type
The nature or genre of the resource
text
Source
A related resource from which the described resource is derived
<a href="https://www.britishnewspaperarchive.co.uk">British Newspaper Archive</a>
Rights
Information about rights held in and over the resource
© Illustrated London News Ltd / Mary Evans Picture Library.
This Work has been digitized in a public-private partnership. As part of this partnership, the partners have agreed to limit commercial uses of this digital representation of the Work by third parties. You can, without permission, copy, modify, distribute, display, or perform the Item, for non-commercial uses. For any other permissible uses, please review the terms and conditions of the organization that has made the Item available., display, or perform the Item, for non-commercial uses. For any other permissible uses, please review the terms and conditions of the organization that has made the Item available.
Abbey Art Centre
Australian artists in London
Derek King
Derek Vernon King
Derek Vernon Morris King
Porquenelles
William Ohly
-
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9196e28eac092f29f02b8658b221358c
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
painting
Where created
Provide as much information as known in the format of:
[Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country]
e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK
[?] Melbourne, Victoria, Australia
Provenance
For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution.
e.g. Purchased 1947.
e.g. Allan R. Henderson Donation, 1947.
If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information:
[Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized].
By descent from the artist to the present owner
Notes
This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include:
Details of any series that the work belongs to.
How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time?
Is it a particularly significant work and, if so, by what criteria?
Where a work is not clearly dated, how has the approximate date range been determined?
Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields.
Full stop at end.
Probably a student work or a work of juvenilia.
Photograph (i)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
Jane Eckett
Date submitted
Date object first catalogued: [day] [month] [year]
18 January 2020
Date modified
Date record modified: [day] [month] [year]
21 November 2020
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
129.0001
Creator
An entity primarily responsible for making the resource
Max Newton (1919-1975)
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1930s
Title
A name given to the resource
Untitled (still life, chrysanthemums), c. 1930s, by Max Newton
Type
The nature or genre of the resource
still image
Format
The file format, physical medium, or dimensions of the resource
oil on Reeves & Co London canvas; 35.5 x 22.5 cm
Source
A related resource from which the described resource is derived
Private collection, Melbourne, Victoria, Australia
Description
An account of the resource
Signed with monogram lower left, recto: ‘M’ ; also signed in full lower left, recto, but overpainted: ‘M. T. Newton’.
Subject
The topic of the resource
Flowers in art. Still-life painting.
Rights
Information about rights held in and over the resource
© Max Newton Estate.
This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Contributor
An entity responsible for making contributions to the resource
Jane Eckett
flower painting
Max Newton
still life
student art
-
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43685864cc13fe088534df1ab2b9df31
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
painting
Where created
Provide as much information as known in the format of:
[Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country]
e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK
Cheltenham, Melbourne, Victoria, Australia
Provenance
For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution.
e.g. Purchased 1947.
e.g. Allan R. Henderson Donation, 1947.
If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information:
[Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized].
By descent from the artist to the present owner
Photograph (i)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
Courtesy the artist’s family
Date submitted
Date object first catalogued: [day] [month] [year]
28 December 2020
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
129.0002
Creator
An entity primarily responsible for making the resource
Max Newton (1919-1975)
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1936
Title
A name given to the resource
Untitled (Newton family home in the grounds of the Melbourne Benevolent Asylum, Cheltenham), c. 1936, by Max Newton
Type
The nature or genre of the resource
still image
Format
The file format, physical medium, or dimensions of the resource
watercolour over pencil; dimensions unknown
Source
A related resource from which the described resource is derived
Private collection, Melbourne, Victoria, Australia
Description
An account of the resource
No visible signature.
Rights
Information about rights held in and over the resource
© Max Newton Estate.
This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Contributor
An entity responsible for making contributions to the resource
Jane Eckett
Australian landscape
Benevolent Asylum
Cheltenham
Federation architecture
Max Newton
Melbourne art
-
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811aa937838c92034af2489a5f8de137
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
painting
Where created
Provide as much information as known in the format of:
[Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country]
e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK
Elwood, Melbourne, Victoria, Australia
Provenance
For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution.
e.g. Purchased 1947.
e.g. Allan R. Henderson Donation, 1947.
If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information:
[Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized].
By descent from the artist to the present owner
Photograph (i)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
Jane Eckett
Photograph (ii)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
Jane Eckett
Date submitted
Date object first catalogued: [day] [month] [year]
18 January 2020
Date modified
Date record modified: [day] [month] [year]
28 December 2020
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
129.0003
Creator
An entity primarily responsible for making the resource
Max Newton (1919-1975)
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1940s
Title
A name given to the resource
Untitled (streetscape with tram, Elwood; with an unfinished scene of figures on a jetty looking at bay and yacht verso), c. 1940s, by Max Newton
Type
The nature or genre of the resource
still image
Format
The file format, physical medium, or dimensions of the resource
watercolour over pencil on paper mounted on board; 38 x 61 cm
Source
A related resource from which the described resource is derived
Private collection, Melbourne, Victoria, Australia
Description
An account of the resource
Not signed. Not inscribed or dated.
Rights
Information about rights held in and over the resource
© Max Newton Estate.
This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Contributor
An entity responsible for making contributions to the resource
Jane Eckett
Elwood
jetty
Max Newton
Melbourne art
Port Phillip
trams
urban landscape
-
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4932e32d08ecabf095e88543523b84fd
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
painting
Where created
Provide as much information as known in the format of:
[Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country]
e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK
Victoria, Australia
Provenance
For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution.
e.g. Purchased 1947.
e.g. Allan R. Henderson Donation, 1947.
If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information:
[Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized].
Exhibited
Express as follows: Title of exhibition [in italics], gallery, location, date range [use en-dashes and no spaces for two dates in the same month, or an m-dash with a space either side for dates in different months], catalogue number [expressed as cat. no.].
If the details of the work, such as medium or date, are substantially different to that already stated, then give this information too.
Different exhibitions are separated by semi-colons rather than line breaks.
(?) RAAF War Paintings Exhibition [Harold Freedman, Eric Thake, Max Newton], Canberra: Royal Australian Air Force; exhibition toured Melbourne: National Gallery of Victoria; Sydney: National Art Gallery of New South Wales; Brisbane: Queensland National Ar
Photograph (i)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
Photographer unknown; scan of photograph courtesy Tony Lee and the Newton family
Date submitted
Date object first catalogued: [day] [month] [year]
29 December 2020
Date modified
Date record modified: [day] [month] [year]
29 December 2020
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
129.0005
Creator
An entity primarily responsible for making the resource
Max Newton (1919-1975)
Date
A point or period of time associated with an event in the lifecycle of the resource
1944
Title
A name given to the resource
Title unknown (bush cottage with rain water tank), 1944, by Max Newton
Type
The nature or genre of the resource
still image
Format
The file format, physical medium, or dimensions of the resource
watercolour on paper; dimensions unknown
Source
A related resource from which the described resource is derived
Photograph of work held in the Max Newton papers, private collection, Melbourne, Victoria, Australia
Description
An account of the resource
Signed and dated in black pen lower right, recto: ‘Max Newton 44'.
Subject
The topic of the resource
Landscape painting -- 20th century -- Australia.
Rights
Information about rights held in and over the resource
© Max Newton Estate.
This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Contributor
An entity responsible for making contributions to the resource
Jane Eckett
Australian landscape
Australian rural life
bush
Max Newton
-
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/72df0f578afc55cdd18015445927f39a.jpg
0adca3eb0d3612f9c985c22886951c27
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
painting
Where created
Provide as much information as known in the format of:
[Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country]
e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK
Melbourne, Victoria, Australia
Exhibited
Express as follows: Title of exhibition [in italics], gallery, location, date range [use en-dashes and no spaces for two dates in the same month, or an m-dash with a space either side for dates in different months], catalogue number [expressed as cat. no.].
If the details of the work, such as medium or date, are substantially different to that already stated, then give this information too.
Different exhibitions are separated by semi-colons rather than line breaks.
Design Division Art Group, Athenaeum Galleries, Melbourne, 21 March - 1 April 1944, catalogue no. 49 (as Towards the Dandenongs, 12 gns)
Bibliographic citation
List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general).
Different citations are separated by semi-colons rather than line breaks.
Give in order of earliest to latest citation.
Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels].
Full stop at end.
'Australian Soldier Artists Exhibit Their Work; Spare Time Art Reveals Talent', <em>The Australasian</em>, Melbourne, 1 April 1944, illustrated p. 7.
Photograph (i)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
<em>The Australasian</em>
Date submitted
Date object first catalogued: [day] [month] [year]
29 December 2020
Date modified
Date record modified: [day] [month] [year]
29 December 2020
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
129.0006
Creator
An entity primarily responsible for making the resource
Max Newton (1919-1975)
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1944
Title
A name given to the resource
Towards the Dandenongs, c. 1944, by Max Newton
Type
The nature or genre of the resource
still image
Format
The file format, physical medium, or dimensions of the resource
watercolour on paper; dimensions unknown
Source
A related resource from which the described resource is derived
Whereabouts unknown; photograph scanned from <em>The Australasian</em>, 1 April 1944, p. 7
Subject
The topic of the resource
Landscape painting -- 20th century -- Australia.
Rights
Information about rights held in and over the resource
© Max Newton Estate.
This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Contributor
An entity responsible for making contributions to the resource
Jane Eckett
Australian landscape
Dandenongs
Design Division
Max Newton
war
-
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/aef47d7812f2115a645e04b7cc060537.tif
801674d15173ae80298c369ad636168c
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
painting
Where created
Provide as much information as known in the format of:
[Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country]
e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK
Labuan, Malaysia
Provenance
For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution.
e.g. Purchased 1947.
e.g. Allan R. Henderson Donation, 1947.
If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information:
[Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized].
Commissioned 1945.
Exhibited
Express as follows: Title of exhibition [in italics], gallery, location, date range [use en-dashes and no spaces for two dates in the same month, or an m-dash with a space either side for dates in different months], catalogue number [expressed as cat. no.].
If the details of the work, such as medium or date, are substantially different to that already stated, then give this information too.
Different exhibitions are separated by semi-colons rather than line breaks.
RAAF War Paintings Exhibition [Harold Freedman, Eric Thake, Max Newton], Canberra: Royal Australian Air Force; exhibition toured Melbourne: National Gallery of Victoria; Sydney: National Art Gallery of New South Wales; Brisbane: Queensland National Art Gallery; Adelaide: National Gallery of South Australia; Perth: Public Library, Museum and Art Gallery of Western Australia; Hobart: The Tasmanian Museum and Art Gallery, touring exhibition, 1946, catalogue no. 98 (as Church Service, drawing, August 1945, Sunday Church Service as 1st T.A.F. Labaun).
Notes
This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include:
Details of any series that the work belongs to.
How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time?
Is it a particularly significant work and, if so, by what criteria?
Where a work is not clearly dated, how has the approximate date range been determined?
Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields.
Full stop at end.
<a href="https://www.awm.gov.au/collection/C176894">The AWM describe this work as follows</a>: ‘Depicts a large tent set up to function as a church with benches and an altar at the front with crosses. A priest stands at the front of the church tent delivering a sermon. Max (Thomas Maxwell) Newton enlisted with the AIF. He was seconded to the RAAF War History Section as an Official War Artist in 1945. He travelled to Labuan and Morotai as part of his appointment, where he recorded aspects of the RAAF involvement in the Pacific during the Second World War.’
Photograph (i)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
Photographer unknown; scan of photograph courtesy Tony Lee and the Newton family
Date submitted
Date object first catalogued: [day] [month] [year]
29 December 2020
Date modified
Date record modified: [day] [month] [year]
29 December 2020
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
129.0018
Creator
An entity primarily responsible for making the resource
Max Newton (1919-1975)
Date
A point or period of time associated with an event in the lifecycle of the resource
1945 August
Title
A name given to the resource
Sunday church service at 1st TAF, Labuan, 1945 August, by Max Newton
Type
The nature or genre of the resource
still image
Format
The file format, physical medium, or dimensions of the resource
watercolour with ink on paper; 28.8 x 35.2 cm (image)
Source
A related resource from which the described resource is derived
<a href="https://www.awm.gov.au/collection/C176894">Australian War Memorial, Canberra, accession no. ART26807</a>; photograph held among the Max Newton papers, private collection, Melbourne, Victoria, Australia
Description
An account of the resource
Signed and dated in black pen lower left, recto: ‘Max Newton 45'.
Subject
The topic of the resource
War artists -- Australia -- 20th century. Australia -- History, Military. War in art. World War, 1939-1945 -- Art and the war. World War, 1939-1945 -- Malaysia.
Rights
Information about rights held in and over the resource
<a href="https://creativecommons.org/publicdomain/mark/1.0/">Copyright expired - public domain. Public Domain Mark 1.0 </a>
Contributor
An entity responsible for making contributions to the resource
Jane Eckett
Labuan
Malaysia
Max Newton
RAAF
religious services
Royal Australian Air Force
war
-
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/0a2dfdddad5db5dcb2eb8eed55821453.jpg
e0ec00ec28ee4988e3d79f2f27d84372
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
painting
Where created
Provide as much information as known in the format of:
[Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country]
e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK
Labuan, Malaysia
Exhibited
Express as follows: Title of exhibition [in italics], gallery, location, date range [use en-dashes and no spaces for two dates in the same month, or an m-dash with a space either side for dates in different months], catalogue number [expressed as cat. no.].
If the details of the work, such as medium or date, are substantially different to that already stated, then give this information too.
Different exhibitions are separated by semi-colons rather than line breaks.
RAAF War Paintings Exhibition [Harold Freedman, Eric Thake, Max Newton], Canberra: Royal Australian Air Force; exhibition toured Melbourne: National Gallery of Victoria; Sydney: National Art Gallery of New South Wales; Brisbane: Queensland National Art Gallery; Adelaide: National Gallery of South Australia; Perth: Public Library, Museum and Art Gallery of Western Australia; Hobart: The Tasmanian Museum and Art Gallery, touring exhibition, 1946, catalogue no. 96 (as Airmen's Quarters, watercolour August 1945, Airmen of 1st T.A.F. Labaun take pride in the regular maintenance of their living quarters).
Bibliographic citation
List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general).
Different citations are separated by semi-colons rather than line breaks.
Give in order of earliest to latest citation.
Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels].
Full stop at end.
RAAF War Paintings Exhibition, Canberra: Royal Australian Air Force, 1946, illustrated p. 13
Photograph (i)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
Royal Australian Air Force
Date submitted
Date object first catalogued: [day] [month] [year]
29 December 2020
Date modified
Date record modified: [day] [month] [year]
29 December 2020
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
129.0021
Creator
An entity primarily responsible for making the resource
Max Newton (1919-1975)
Date
A point or period of time associated with an event in the lifecycle of the resource
1945 August
Title
A name given to the resource
Airmen's Quarters, 1945 August, by Max Newton
Type
The nature or genre of the resource
still image
Format
The file format, physical medium, or dimensions of the resource
watercolour with pencil and ink on paper; dimensions unknown
Source
A related resource from which the described resource is derived
Whereabouts unknown; photograph scanned from RAAF War Paintings Exhibition catalogue, 1946, p. 13
Description
An account of the resource
Signed and dated in black pen lower right, recto: ‘Max Newton 45'.
Subject
The topic of the resource
War artists -- Australia -- 20th century. Australia -- History, Military. War in art. World War, 1939-1945 -- Art and the war. World War, 1939-1945 -- Malaysia.
Rights
Information about rights held in and over the resource
© Max Newton Estate.
This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Contributor
An entity responsible for making contributions to the resource
Jane Eckett
airmen
Labuan
Malaysia
Max Newton
RAAF
Royal Australian Air Force
war
-
https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/200ef02af22527f7477a269e6c0f2084.jpg
5f558d5145247c0ae4df875d51e25525
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
painting
Where created
Provide as much information as known in the format of:
[Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country]
e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK
Morotai Island, Netherlands East Indies
Exhibited
Express as follows: Title of exhibition [in italics], gallery, location, date range [use en-dashes and no spaces for two dates in the same month, or an m-dash with a space either side for dates in different months], catalogue number [expressed as cat. no.].
If the details of the work, such as medium or date, are substantially different to that already stated, then give this information too.
Different exhibitions are separated by semi-colons rather than line breaks.
RAAF War Paintings Exhibition [Harold Freedman, Eric Thake, Max Newton], Canberra: Royal Australian Air Force; exhibition toured Melbourne: National Gallery of Victoria; Sydney: National Art Gallery of New South Wales; Brisbane: Queensland National Art Gallery; Adelaide: National Gallery of South Australia; Perth: Public Library, Museum and Art Gallery of Western Australia; Hobart: The Tasmanian Museum and Art Gallery, touring exhibition, 1946, catalogue no. 91 (as Cook-House, watercolour July 1945, Constructed mainly of scrap materials, the cookhouse of No. 82 Wing Headquarters, Morotai, was an interesting example of wartime island architecture).
Bibliographic citation
List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general).
Different citations are separated by semi-colons rather than line breaks.
Give in order of earliest to latest citation.
Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels].
Full stop at end.
RAAF War Paintings Exhibition, Canberra: Royal Australian Air Force, 1946, illustrated p. 15
Photograph (i)
Who owns the copyright of the photograph (as opposed to the artwork)?
Do not use the © symbol here. Just state the name of the photo credit.
e.g. Leonard Joel, Melbourne
PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc).
e.g. Mark Strizic, courtesy Marcus Zikaras
e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4
No full stop at end.
Royal Australian Air Force
Date submitted
Date object first catalogued: [day] [month] [year]
29 December 2020
Date modified
Date record modified: [day] [month] [year]
29 December 2020
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
129.0022
Creator
An entity primarily responsible for making the resource
Max Newton (1919-1975)
Date
A point or period of time associated with an event in the lifecycle of the resource
1945 July
Title
A name given to the resource
Cook-House, 1945 July, by Max Newton
Type
The nature or genre of the resource
still image
Format
The file format, physical medium, or dimensions of the resource
watercolour with pencil and ink on paper; dimensions unknown
Source
A related resource from which the described resource is derived
Whereabouts unknown; photograph scanned from RAAF War Paintings Exhibition catalogue, 1946, p. 15
Description
An account of the resource
Signed and dated in black pen lower right, recto: ‘Max Newton 45'.
Subject
The topic of the resource
War artists -- Australia -- 20th century. Australia -- History, Military. War in art. World War, 1939-1945 -- Art and the war. World War, 1939-1945 -- Malaysia.
Rights
Information about rights held in and over the resource
© Max Newton Estate.
This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Contributor
An entity responsible for making contributions to the resource
Jane Eckett
cooking
kitchen
Max Newton
Morotai Island
Netherlands East Indies
RAAF
Royal Australian Air Force
war